Book Chapters

Lindmayr-Brandl, Andrea. “Pierre de la Rue’s Posthumous Career in German Prints.” In Pierre de la Rue Studies, edited by David Burn, Honey Meconi, and Christiane Wiesenfeldt. Turnhout: Brepols (forthcoming).

Giselbrecht, Elisabeth. “The ‘Liber selectarum cantionum’.” In The Museum of Renaissance Music, edited by Tim Shephard and Vincenzo Borghetti. Turnhout: Brepols (2023).

Gillion, Marianne. “The Constance Gradual.” In The Museum of Renaissance Music, edited by Tim Shephard and Vincenzo Borghetti. Turnhout: Brepols (2023).

Giselbrecht, Elisabeth. “Reading the Melopoiae (1507): a Search for its Owners and Users.” In Early Printed Music and Material Culture in Central and Western Europe. Music and Material Culture, edited by Andrea Lindmayr-Brandl and Grantley McDonald, 85–108. London & New York: Routledge (2021).

Kelber, Moritz. “Power and Ambition: Georg Rhau’s Strategies for Music Publishing.” In Early Printed Music and Material Culture in Central and Western Europe. Music and Material Culture, edited by Andrea Lindmayr-Brandl and Grantley McDonald, 111–132. London & New York: Routledge (2021).

Lindmayr-Brandl, Andrea. “The Pioneers of Polyphonic Music Printing in German-Speaking Lands: Networks and type repertoria.” In Early Printed Music and Material Culture in Central and Western Europe. Music and Material Culture, edited by Andrea Lindmayr-Brandl and Grantley McDonald, 19–40. London & New York: Routledge (2021).

McDonald, Grantley, and Stephen Rose. “Privileges for Printed Music in the Holy Roman Empire During the Sixteenth Century.” In Early Printed Music and Material Culture in Central and Western Europe. Music and Material Culture, edited by Andrea Lindmayr-Brandl and Grantley McDonald, 207–230. London & New York: Routledge (2021).

Lindmayr-Brandl, Andrea. “Früher Notendruck in deutschsprachigen Ländern: Die Materialität der Regensburger Missalien.” In Musikalische Schätze in Regensburger Bibliotheken. Regensburger Studien zur Musikgeschichte 13, edited by Katelijne Schiltz, 61‒97. Regensburg: ConBrio Verlagsgesellschaft, 2019.

McDonald, Grantley. “Conrad Celtis und die humanistische Musik am Hof Maximilians.” In Kaiser Maximilian I. Ein großer Habsburger, edited by Katharine Kaska, 118–127. Vienna: Residenz Verlag, 2019.

McDonald, Grantley, and Sanna Raninen. “The songbooks of Peter Schöffer the Younger and Arnt von Aich: a Typographical Assessment.” In Senfl-Studien III, edited by Stefan Gasch and Sonja Tröster, 29–53. Vienna: Hollitzer Verlag, 2019.

Giselbrecht, Elisabeth. “Manuscript and Print Combined: Re-discovered Manuscript Additions in the Kraków Copy of Peter Schöffer’s Third Songbook (1536).” In ‘Teutsche Liedlein’ des 16. Jahrhunderts. Wolfenbütteler Abhandlungen zur Renaissanceforschung 35, edited by Achim Aurnhammer and Susanne Rode-Breymann, 117‒136. Wiesbaden: Harrassowitz, 2018.

Giselbrecht, Elisabeth. “Melchior Lotter – Innovator, Businessman, Music Printer.” In Early Music Printing in German-Speaking Lands. Music and Material Culture, edited by Andrea Lindmayr-Brandl, Elisabeth Giselbrecht, and Grantley McDonald, 123‒134. London & New York: Routledge, 2018.

Giselbrecht, Elisabeth, and Elizabeth Savage. “Printing Music: Technical Challenges and Synthesis, 1450–1530.” In Early Music Printing in German-Speaking Lands. Music and Material Culture, edited by Andrea Lindmayr-Brandl, Elisabeth Giselbrecht, and Grantley McDonald, 84‒99. London & New York: Routledge, 2018.

Kelber, Moritz. “Drucker, Herausgeber und Verleger. Netzwerke der Augsburger Musikpublizistik in der Reformationszeit.” In Beiträge zur Jahrestagung der Gesellschaft für Musikforschung Kassel, 27.-30.9.2017, edited by Annette van Dyck-Hemming und Jan Hemming, 57‒67. Wiesbaden: Springer, 2018.

Lindmayr-Brandl, Andrea. “The Catalogue of Early German Printed Music (vdm.sbg.ac.at). Experiences and Perspectives on the Construction of a Multi-faceted Database as a Research Tool.” In In (Re-)Constructing Renaissance Music. Perspectives from Digital Humanities and Music Theory , hg. von Klaus Pietschmann (troja. Jahrbuch für Renaissancemusik 17 (2018)), pp. 69–85.

Lindmayr-Brandl, Andrea. “Polyphonic Music in Early German Print: a Changing Perspective in Music Historiography.” In Early Music Printing in German-Speaking Lands. Music and Material culture, edited by Andrea Lindmayr-Brandl, Elisabeth Giselbrecht, and Grantley McDonald, 245‒259. London & New York: Routledge, 2018.

Lindmayr-Brandl, Andrea. “‘Teutsche Liedlein’ im frühen Notendruck: ein neuer Blick.” In‘Teutsche Liedlein’ des 16. Jahrhunderts. Wolfenbütteler Abhandlungen zur Renaissanceforschung 35, edited by Achim Aurnhammer and Susanne Rode-Breymann, 19‒30. Wiesbaden: Harrassowitz, 2018.

Lindmayr-Brandl, Andrea, Elisabeth Giselbrecht and Grantley McDonald. “Introduction.” In Early Music Printing in German-Speaking Lands, Music and Material Culture, edited by Andrea Lindmayr-Brandl, Elisabeth Giselbrecht, and Grantley McDonald, 1‒17. London & New York: Routledge, 2018.

McDonald, Grantley. “The Cult of Luther in Music.” In Early Music Printing in German-Speaking Lands, Music and Material Culture, edited by Andrea Lindmayr-Brandl, Elisabeth Giselbrecht, and Grantley McDonald, 199‒224. London & New York: Routledge, 2018.

Giselbrecht, Elisabeth. “To Have and to Hold: Music Books as Collectables.” In Sources of Identity: Makers, Owners, and Users of Music Sources Before 1600, edited by Lisa Colton and Tim Shephard, 239‒260. Turnhout: Brepols, 2016.

Giselbrecht, Elisabeth. “Musica transalpina. Venezianische Musikdrucke im Salzburg der Frühen Neuzeit.” In Von Venedig nach Salzburg: Spurenlese eines vielschichtigen Transfers. Bericht einer Tagung der Forschungsplattform ‘Salzburger Musikgeschichte’ im Centro Tedesco di Studi Veneziani, 24. bis 26. Oktober 2013. Veröffentlichungen der Forschungsplattform ‘Salzburger Musikgeschichte’ 3, edited by Gerhard Ammerer, Ingonda Hannesschläger, and Thomas Hochradner, 107‒122. Wien: Hollitzer, 2015.

Lindmayr-Brandl, Andrea. “Die musikalischen Quellen. I. Die Produktion von musikalischen Quellen, Quellentypen und Funktion von Quellen, III. Streuung der Quellen und Quellengruppen.” In Schrift und Klang in der Musik der Renaissance. Handbuch der Musik in der Renaissance 3, edited by Andrea Lindmayr-Brandl, 89‒156. Laaber: Laaber, 2014.

McDonald, Grantley. “Notes on the Sources and Reception of Senfl’s harmoniae.” In Senfl-Studien II. Wiener Forum für Ältere Musikgeschichte 7, edited by Stefan Gasch, Birgit Lodes, and Sonja Tröster, 623–634. Tutzing: Schneider, 2013.

McDonald, Grantley. “The Metrical harmoniae of Wolfgang Gräfinger and Ludwig Senfl in the Context of Humanism, Neoplatonism and Nicodemism.” In Senfl-Studien I. Wiener Forum für Ältere Musikgeschichte 5, edited by Stefan Gasch, Birgit Lode,s and Sonja Tröster, 69–148. Tutzing: Schneider, 2012.

Lindmayr-Brandl, Andrea. “Peter Schöffer der Jüngere, das Erbe Gutenbergs und ‘die wahre Art des Druckens’.” In NiveauNischeNimbus. Die Anfänge des Musikdrucks nördlich der Alpen. Wiener Forum für Ältere Musikgeschichte 3, edited by Birgit Lodes, 283‒312. Tutzing: Schneider, 2010.