Tübingen: Thomas Anshelm, 1512, vdm: 102
IOANNIS REVCHLIN PHORCENSIS || scænica progymnasmata, hoc est ludicra || præexercitamenta, cum explanati||one Iacobi Spiegel Selestani.||
Tubingæ in ædibus Thomæ Anshelmi || Badensis mense octobri M. D. XII.|| sub illustri principe Vdalrico || Vuirtenbergensi.|| (fol. R4r).
Mark of Thomas Anshelm: the initials TAB (Thomas Anselhmus Badensis) in a circle, surmounted by a banner with the Hebrew pentagrammaton and a cross.
Tübingen
Humanist book
This is an annotated edition of Reuchlin’s Scaenica progymnasmata with explanations by Jacob Spiegel. The musical examples are included.
Latin
I-LXXIX, [5] (foliation stops on Qiii).
GB-Lbl 1477.dd.1
D-Mbs (1), D-Mbs (2) , A-Wn, D-Ju
woodcut
For musical examples 1, 2, and 4, Anshelm uses the same woodblocks as in vdm 588 (Anshelm, 1508), but they are inked more heavily, at least in the GB-Lbl copy, which gives them a different appearance. The woodblock looks worn by this time. Musical example 3 is newly cut, but in a very similar style.
Types 3, 9, gk. ij* (Proctor).
Mensural notation; Hufnagel notation
first example, F1r: 94 x 18 mm.
I4v: 93 x 16 mm.
K7v: 109 x 19 mm.
N1v: 109 x 19 mm.
dramatic chorus, monophonic song
Chorus at the end of each of the first four acts: Mortalium iocunditas volucris et pendula (Actus primus, fol. XXV recto), Digna sunt Apolline (Actus secundus, fol. XLIV verso), Musis poetis et sacro (Actus tertius, fol. LI verso), Cedant fori contentio et iurgia (Actus quartus, fol. LXI verso).
Daniel Megel
A-Wn, CH-SO, D-BS, D-GOl, D-Gs, D-HAu, D-HVs, D-Ju, D-Mbs, D-Mbs, D-Mu, D-W, D-W, *D-W, D-W, D-W, D-WGrfb, D-WIl, D-Z, E-Sco, F-CO, F-Sm, F-Sm, *GB-Lbl, *GB-Lbl, I-Fn, I-PEc
[Strasbourg]: Johann Grüninger, 1498, vdm: 596 [Basel]: Johann Bergmann von Olpe, 1498, vdm: 73 [Leipzig]: [Melchior Lotter the Elder], [1503 c.], vdm: 101 [Leipzig]: [Martin Landsberg], [1504], vdm: 605 Pforzheim: Thomas Anshelm, 1508, vdm: 588 Pforzheim: Thomas Anshelm, 1509, vdm: 76 Tübingen: Thomas Anshelm, 1511, vdm: 77 Leipzig: Jacob Thanner, 1514, vdm: 75 Vienna: Johann Singriener the Elder & Hieronymus Vietor, 1514, vdm: 78 Leipzig: Valentin Schumann, 1514, vdm: 586 Leipzig: Valentin Schumann, [1514], vdm: 590 Leipzig: Jacob Thanner, 1515, vdm: 79 Leipzig: Valentin Schumann, 1515, vdm: 592 Leipzig: Valentin Schumann, 1515, vdm: 593 Tübingen: Thomas Anshelm, 1516, vdm: 80 Leipzig: Valentin Schumann, 1518, vdm: 607 Cologne: Eucharius Cervicornus, 1519, vdm: 611 Leipzig: Valentin Schumann, 1519, vdm: 613 Cologne: Eucharius Cervicornus, 1519, vdm: 612 Leipzig: Nickel Schmidt, 1521, vdm: 614 Leipzig: Valentin Schumann, 1521, vdm: 615 Leipzig: Jacob Thanner, 1521, vdm: 616 Vienna: Johann Singriener the Elder, 1523, vdm: 81 Cologne: Eucharius Cervicornus, 1528, vdm: 617 Cologne: Johannes Gymnich the Elder, 1534, vdm: 100 Cologne: Johannes Gymnich the Elder, 1537, vdm: 82 Cologne: Johannes Gymnich the Elder, 1540, vdm: 83
Holstein, Hugo: Johann Reuchlins Komödien. Ein Beitrag zur Geschichte des Lateinischen Schuldrama, Halle: Verlag der Buchhandlung des Waisenhauses, 1888 (Nachdruck 1973).
Proctor, Robert. An Index to the Early Printed Books in the British Museum. Part II. MDI-MDXX. Section I. Germany. London: Kegan Paul, 1903 (151, 11730)
A-Wn
D-Ju
D-Mbs (1)
D-Mbs (2)
Some pages damaged through cropping.
Scaenica progymnasmata [Landsberg 1504] - D-W
Former in Lutherstadt Wittenberg, Evangelisches Predigerseminar, Bibliothek (D-WGp)
A few sixteenth-century manuscript additions.
Flyleaf bound in with description by antiquarian K. Th. Voelcker.
Stamp VF on second folio verso.
Good.
Reuchlin, Capitis caput, cum commentario Georgii Simler Vuimpinensis (VD16 R 1289)
Inscription on frontispiece: Schumacher 1814 Mannheim den 1 May.