Incipit liber missalis ẜm cho-||rum Patauiensem.Dñica pri||ma in aduentu dñi.Officium. [a1r]

Expletū ē hoc opꝰ libroꝝ mis-||saliū pro Patauieñ eccłe ritu:|| ꝑuigili cura mgr̃i Sixti haugē || reuisum et castigatū: atq𝔷 cara-||ctere iucūdissimo Auguste im-||pressum opera et impēsis Er-||hardi ratdolt ibidem artis im-||pressorie vulgatissimi. Anno sa-||lutis dñice Millesimo quadrī-||gentesimo Nonagesimoq̃rto || Die.xxj.Januarij.|| [CCLVIIIr = K6r]

K9v: A shield upon which a naked man holds a star over his stomach and genitals with his left hand. In his right hand he holds two snakes aloft. The shield is topped with a helmet with mantling cascading down. There are two large horns on top of the helmet, between which is a six-pointed star. Above this is printed the couplet, “Erhardi Ratdolt felicia conspice signa || Testata artificem qua valet ipse manum.||” The printer’s mark is printed in black and red (c. 103 x 140 mm).

Augsburg

Liturgical book

[α]2r–v: letter from bishop Christoph von Schachner, explaining the reasons for this new edition, dated pridie nonas Junii 1493.

[α]1v: woodcut of three saints (Valentine, Stephen, Maximilian), printed in five colours (black, red, ochre, Prussian blue, green-brown), with arms of Christoph von Schachner as bishop of Passau (red lion passant of Passau and black mountain goat couped); woodcut attributed to Hans Burgkmair in D-Mbs OPAC. This woodcut was later used in the 1498 edition of the Missale Pataviense (vdm 1088).
[β]1v: woodcut chart for determining dominical number.
r1v: canon woodcut [removed in autopsy copy; inspected in scan of D-Mbs copy]; woodcut attributed to Hans Burgkmair in D-Mbs OPAC.
r2r: large T-initial for Te igitur, with foliage pattern; the T and frame are printed in red.
r4v: Agnus Dei woodcut.
Woodcut initials throughout the book, with foliage pattern and black-red printing.

Latin

[14], I–CCLXI, [1]

A-KN Cod. typ. 105

D-Mbs (1)

multiple impression

Rotunda, Uncial

red initials, red staff lines, red text, multicoloured print

Printed notes and staves. Space is left in the staff for major initials, which are printed in red; initials for versicles etc are printed in black over the staves.
The title woodcut is printed in five colours. It is possible that the canon woodcut is also printed in colour (more copies need to be checked).
The colouring of the Agnus Dei woodcut (r4v) is the same in the A-KN and D-Mbs copies. While the red and black are evidently printed, the blue and green seem to be added by hand. However, the uniformity of the colouring suggests that it was done in-house.
Overlapping of notes and text (e.g. 121v, system 7) shows that the notes and the text were printed in separate impressions.

Hufnagel notation

full-length staff: 165 x 7.5 mm (fol. 118r, first system).
Height of virga one: 8.5 mm; height of virga two: 9 mm; height of virga three: 12 mm.
Each system is made of several pieces: seven sections of 22 mm, one section of 9 mm, one section of 3.5 mm.

chant

Printed notation for prefaces of feasts of various levels of solemnity (Christmas, Epiphany, Lent, Passiontide, Holy Cross, Easter, Ascension, Pentecost, Trinity, BVM, Apostles, Daily, Pro defunctis), Per omnia secula … Pax domini, Kyrie, Gloria intonations, Credo intonations, Ite missa est, Benedicamus domino.

A-Gf, A-H, *A-KN, *A-KR, A-LA, A-Llb, A-SEI, A-SF, A-SPL, A-Wda, CZ-Pu, D-B, D-Bkk, D-HAu, D-Mbs, D-Mbs, D-RUhb, D-SFschäfer, F-Pn, A-BRz, GB-Mr, H-Gc, HR-Zs, US-CAh, US-NYpm, US-PH Boniwell, US-Wc, US-Wnga, *A-Wn

Passau: Johann Petri, [1491–1492 c.], vdm: 1452

Weale, William Henry James. Bibliographia liturgica: Catalogus missalium ritus latini ab anno MCCCLXXV impressorum. Edited by Hanns Bohatta. London: Quaritch, 1928 (131-132)