vdm16 
[Missale Pataviense].

Passau: Johann Petri, [1491–1492 c.], vdm: 1452

BASICS
Title page:

Incipit liber missalis se⸗||cundū choꝝ Patauiēsem || Dñica prima in aduen⸗||tu dñi.Officium.|| [1r]

Colophon:

None.

Printer:
Johann Petri
Publisher: Christoph Schachner, von
Place of printing:

Passau

Year:
[1491–1492 c.]
Further information on dating: After 20/11/1491.
Type of source:

Liturgical book

Catalogue references:
GW M24626
ISTC im00682000
vdm
1452
Further details:

The printer is named in the mandate of bishop Christoph von Schachner, printed on fol. [α]2r.


Further contributors: Christoph von Schachner
Paratexts:

[α]2r: Mandate of bishop Christoph von Schechner, explain his reasons for commissioning the printing of this missal, dated 20 November 1491.

Illustrations:

Full-page title woodcut with arms of Christoph von Schachner as bishop of Passau.
Full-page canon woodcut.


Language:

Latin

Confessional identity:
Roman Catholic
Liturgical use: Passau
Format:
Printed area: 181 x 317 mm
Number of leaves:
368
Collation: The printer has not supplied any signature marks, except in the music section (a–c8), which however does not have any page numbers, and which interrupts the sequence of pagination.
Original foliation:

[13], i–cl, [24 (music), 5 (canon)], clj–cccxxiiij.

Autopsy copy:

A-KN Cod. typ. 235.


Online facsimile:

D-Mbs


D-Mbs 2 Inc.c.a. 2590, [s.p.]
DETAILS
Technique for printing music:

multiple impression

Text font:

Textura, Uncial, Upper Rhine type, Rotunda

Colour printing:

red initials, red staff lines, red text

Remarks on printing:

The mandate by Christoph von Schachner and the index of feasts at the beginning are printed in a small Upper Rhine type. The body text is printed in texturas of various sizes. The canon seems to be printed with the same rotunda types as the Passau missal of 1494, printed by Ratdolt; it may be that this section was outsourced.


Notation:

Hufnagel notation

Number of staff lines:
4
Number of voices:
1
Measurements:

full-length staff: 178–179 x 15.5 mm. The individual strips from which the staff lines are printed are fairly uniform in length, but are poorly justified; the ends of the staves thus look rather ragged.
Virga: 8.5 mm

Comments on notation:

The punctus and virgae sometimes have a little hook; the custos looks like a punctus with a particularly large hook.


Genre:

chant

Repertoire:

Printed notation for prefaces of feasts of various levels of solemnity (Christmas, Epiphany, Lent, Passiontide, Holy Cross, Easter, Ascension, Pentecost, Trinity, BVM, Apostles, Daily, Pro defunctis), Per omnia secula … Pater noster, Kyrie, Gloria intonations, Credo intonations, Ite missa est, Benedicamus domino.


Copies:

A-Kadg, *A-KN, A-Llb, A-M, A-SF, A-SP, A-SPL, A-Wda, A-Wn, D-B, D-LEdnb, D-LEu, D-Mbs, D-Ps, H-EG, I-Bu, US-SM

Related editions:

[Missale Pataviense].

Augsburg: Erhard Ratdolt, 1494, vdm: 1081


[Missale Pataviense].

Augsburg: Erhard Ratdolt, 1498, vdm: 1088


[Missale Pataviense].

Vienna: Johann Winterburger, 1503, vdm: 224


[Missale Pataviense].

Augsburg: Erhard Ratdolt, 1503, vdm: 229


[Missale Pataviense] (a).

Augsburg: Erhard Ratdolt, 1505, vdm: 780


[Missale Pataviense] (b).

Augsburg: Erhard Ratdolt, 1505, vdm: 236


[Missale Pataviense].

Vienna: Johann Winterburger, 1507, vdm: 679


Missale Pataviense.

Vienna: Johann Winterburger, 1509, vdm: 244


Missale Pataviense cum additionibus.

Vienna: Johann Winterburger, 1512, vdm: 281


Missale Pataviense.

Nuremberg: Jobst Gutknecht, 1514, vdm: 287



D-Mbs 2 Inc.c.a. 2590, a1r
COPIES
A-Kadg (Klagenfurt, Archiv der Diözese Gurk)
Shelfmark: Sign. VI a 40

A-KN (Klosterneuburg, Augustiner-Chorherrenstift, Bibliothek)
Shelfmark: Cod. typ. 235
Condition:

The canon is printed on vellum, but this section only contains five leaves. However, no text is lost, and it may be that this gathering is only intended to have five leaves; examination of more copies is necessary!

Comments:

Partly vellum.

Classification of binding:
later / modern binding
Description of binding: Nineteenth-century binding: marbled papers over card, half bound in light-brown leather.
Manuscript additions or corrections:

A face of Christ has been painted in hand on fol. 4v of the vellum canon section.
Beautifully illuminated initials for major sections.

Provenance:

This volume has been in the library of Klosterneuburg since at least 1656 (annotation on fol. 2r).


A-Llb (Linz, Oberösterreichische Landesbibliothek)
Comments:

Partly vellum.


A-M (Melk, Benediktinerstift, Bibliothek)
Condition:

Imperfect.


A-SF (St. Florian, Augustiner-Chorherrenstift, Bibliothek und Musikarchiv)
Condition:

Imperfect.


A-SP (St. Pölten, Diözesanarchiv)

A-SPL (St. Paul im Lavanttal, Benediktinerstift St. Paul)
Condition:

Imperfect.


A-Wda (Wien, Diözesanarchiv)
Shelfmark: Nr. 5737
Provenance:

Formerly held in A-We.


A-Wn (Wien, Österreichische Nationalbibliothek)
Shelfmark: Ink 8.C.15
Comments:

Partly vellum.

Provenance:

Claustroneoburgensis, 15 Iulij 1626.


D-B (Berlin, Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Musikabteilung)
Shelfmark: Inc. 1936,5 2°

D-LEdnb (Leipzig, Deutsches Schrift- und Buchmuseum)
Shelfmark: II: 26,2a
Condition:

Imperfect.

Comments:

INKA 44000914.


D-LEu (Leipzig, Universitätsbibliothek, “Bibliotheca Albertina”)
Shelfmark: Prakt.Theol.46
Comments:

INKA 43002506.


D-Mbs (München, Bayerische Staatsbibliothek)
Shelfmark: 2 Inc.c.a. 2590
Comments:

Bsb-Ink: M-447,1.
INKA 24006209.
Canon on vellum.

Manuscript additions or corrections:

Arms and canon woodcut coloured.

Link to online scan:

D-Mbs


D-Ps (Passau, Staatliche Bibliothek)
Provenance:

Formerly held in D-Pk.


H-EG (Eger, Főegyházmegyei Könyvtár (Bibliotheca Archidiocesana))
Shelfmark: Yy. I. 14
Condition:

Imperfect.


I-Bu (Bologna, Biblioteca Universitaria)
Condition:

Imperfect: lacks fol. 1.


US-SM (San Marino, CA, Henry E. Huntington Library & Art Gallery)
Shelfmark: 87224 PR 2839.6
Condition:

Imperfect: lacks two blank leaves.

Comments:

Canon on vellum.

Classification of binding:
contemporary binding
Description of binding: Stamped calf over wooden boards, with clasps.
Provenance:

Purchased by Huntington from Harper, Baer's Kurt Wolff sale, Nov. 29, 1926 (online catalogue).