Nuremberg: Georg Stuchs, 1505, vdm: 237
Incipit missale integrũ tã de tꝑe || ꝙ̃ de sanctis ẜm rubricã ecclesie || Salczeburgẽsis cum oĩbus suis || requisitis.|| (fol. a1r)
fol. 252r: […] in officina Georgij Stuchs ex Sultzbach ciuis Nurnbergeñ.ex-||pensa Iohannis Ryman impressum. Idibus maij anni ab incarna||tione messye quinti supra millesimũquingentesimũ: finit.||
Nuremberg
Liturgical book
D-Mbs 2 Liturg. 298 is missing the canon; F-Sn R.10.622 is missing the title page, A-Su F III 242 is missing the title page and the canon. After the colophon two extra gatherings with missae specialae.
2r-v: Formula for exorcism
3r-8v: Calendar
9r-10v: Informationes et cautele observande
CCXXIIIIr-v: Register
On the verso of the first page: full page woodcut with two heraldic arms (Salzburg and archbishop Leonhard von Keutschach), a mitre and two crossed croziers.
Latin
I (=a1)-CLIIII, [8, canon], CLV-CCLI [=I9]
D-Mbs 2° Lit 298, F-Sn R.10.622 details from the canon; more copies need to be inspected.
D-Mbs (1)

multiple impression
Rotunda, Uncial
red staff lines, red text
This edition does not contain the extra red notes for more elaborate chants, as in vdm 257, although they are announced on fol. t 2v: "notis rubeis coassumptis. que tamē ad minus festum omittunt."
Types 7, 15, 16, 17 (Proctor).
Hufnagel notation
full-length staff: 171 x 12.5 mm; heigh of virga one: 11 mm; height of virga two: 8.5 mm; height of virga three: 7 mm.
chant
IXr-Xv: response and Liber generationis; LXXIVv.LXXVIIIv: Benedictio cerei; CXLIr-CLIVv (gatherings t-v): Kyrie, Gloria, and Credo intonations, prefaces, pater nosters.
*A-Ssp, *A-Su, *A-VOR, *D-Mbs, *D-Mu, *F-Sn, *GB-Lbl, A-Sca, D-Mbs, F-RSd, I-Mb, I-TRbc, US-Bpr
Nuremberg: Georg Stuchs, 1492, vdm: 1396 Nuremberg: Georg Stuchs, 1498, vdm: 1397 Vienna: Johann Winterburger, 1506, vdm: 678 Basel: Jakob Wolff & Johann Oswalt, 1510, vdm: 259 Vienna: Johann Winterburger, 1510, vdm: 257
Weale, William Henry James. Bibliographia liturgica: Catalogus missalium ritus latini ab anno MCCCLXXV impressorum. Edited by Hanns Bohatta. London: Quaritch, 1928 (1380)
Daschner, Dominik. Die gedruckten Meßbücher Süddeutschlands bis zur Übernahme des Missale Romanum Pius V. (1570). Frankfurt am Main: Lang, 1995
Proctor, Robert. An Index to the Early Printed Books in the British Museum. Part II. MDI-MDXX. Section I. Germany. London: Kegan Paul, 1903 (95, 10965)
Amiet, Robert. Missels et bréviaires imprimés. Supplement aux catalogues de Weale et Bohatta. Paris: CNRS, 1990. (82)
Gillion, Marianne C.E. "Archiepiscopal Archetypes, Printed Books, and Parish Practices: Musical Notation in Editions of the ‘Missale Salisburgense’ (1492-1515)." Florilegium 34 (2017): 119–146 (published 2021).
Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)

delicate
frament: only one sheet (fol. a1).
fully decorated and illuminated
good; title page and Canon are missing.
restored in 1963.
Inscriptions on the front and back pastedown.
from the library of the Archbishopf of Salzburg
defective. Canon on vellum. Before the vellum an additional, smaller page from later time has been added. On recto the words of the Sanctus, on vers0: CANON MISSAE / COMMEMORATIO PROVIVIS / INFRA ACTIONEM.
former shelfmarks: La 258 / 254
contemporary inscription on the paste down. On the last last recto folio prayers are added and dated 1559.
see inscription on front binding.
Imperfect.
Canon is missing
Several annotations in the margins. At the end of the book, three pages are added with ms. additions, dating from 1534 and 1530.
D-Mbs (1)
Imperfect. Missing the title page.
Canon is made of vellum.
Some manuscript additions. On fol. 120 there are some manuscript additions which indicate the chant melody. Hand coloured initial at the beginning of the canon. Hand coloured title initial.
Ex libris sticker: "SEBASTIANVS PRÆPOSITVS ET ARCHIDIACONVS NATVS CHIEMENSIS" dated 1764; Motto on sticker: Dominus Regit me, et || nihil mihi deerit Ps. 22.V. L.||
lacks 8 ff.
Lacks title page.
Canon on vellum.
Initial K of Kyrie, T of Te igitur are illuminated. The canon woodcut is hand coloured.
puchased during the time when the Library was the Universitaets- und Landesbibliothek 1940-1944;, stamp on the flyleaf. pencil number 41.4818.
Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)
Destroyed.
Imperfect.
In the local OPAC incorrectly dated 1515.
Imperfect: lacks v6.