Vienna: Johann Winterburger, 1510, vdm: 257
Missale Saltzeburgeñ.||
Missale ẜm chorū Saltzeburgeñ.|| tam de tꝓe q̃𝔷 de sanctis ordina=||tissime dispositū & emendatū || Joãnes Winterburger ci=||uis Vienneñ. imp̃ssit & || feliciter finiuit: anno || christi .M.d.x.|| Mensis A=||prilis: die || xxvij.|| In Vienna Pannonia|| (fol. 246r)
upright square, printed in red; circle with cross on the top, in the circle a snake and an arrow, right and left the Initials „I“ and „W“; ornamented background.
Vienna
Liturgical book
This is a quarto edition of vdm 678.
fol. 1v: address to the priests using the book: “Sacerdoti sacrificare volenti: || Iram: odium: rixas: rancorem pelle sacerdos: || Pelle inimicitias: pelleque desidiam|| Casta placent superis: tu casto corpore: casta || Mente deum tractes: sit procul atra lues || Sit procul et luxus: sanctorum sancta sacerdos || Dum petis: horrendum sit procul omne malum.”
fol. 2r-7v: Calendar
fol. 8r-v: chart for finding golden number
fol. 9r-v: rite for blessing water
fol. 9v-10v: table of feasts (register)
between colophon and printer’s mark: “Signa vides lector: hyberna ex arce ioannis || Anguineas inter iaculum amentabile spiras. || Anguis vt etatem: cariosas ille lituras || Comit. in inuidiam gerit artis tela decorem.” (fol. 246r)
fol. [1]v: woodcut of SS Rupert and Virgil, same as used as the upper part of the title page of Winterburger's earlier Salzburg Missale (124 x 85 mm). Fol. 139v: large woodcut at beginning of canon, same as that used in Winterburger’s Missale Pataviense (1509, vdm 244). According to a note in the A-Su copy, the woodcut was made by Jost Gosmas after a cut by L. Cranach. Several decorative woodcut initials.
Latin
[10], 246
A-Su F I 692
D-Mbs (1), A-Wn (1)
multiple impression
Rotunda
red staff lines, red text, red type on title page, red initials, [other]
Rubrics printed in red. There are extra red notes printed for solemn feasts (see Boorman). Staves are composed by blocks of shorter pieces.
Hufnagel notation
first full length staff: 117 x 7.5 mm; blocks of different lenghts; virga 5 mm
chant
Gospel for Christmas mass "in gallicantu" ( fols. 8r-9v) and Easter, "Exultet" (fols. 69r-71v); Kyriale, prefaces and Pater noster (fols. 129r-138v)
A-KN, A-Sae, *A-Ska, *A-Su, *A-Wn, *A-Wn, A-Wst, A-Z, B-BRgs, D-Eu, *D-Mbs, D-Mbs, GB-Cu, *GB-Lbl, GB-Ob, PL-WRk
Nuremberg: Georg Stuchs, 1492, vdm: 1396 Nuremberg: Georg Stuchs, 1498, vdm: 1397 Nuremberg: Georg Stuchs, 1505, vdm: 237 Vienna: Johann Winterburger, 1506, vdm: 678 Basel: Jakob Wolff & Johann Oswalt, 1510, vdm: 259
Weale, William Henry James. Bibliographia liturgica: Catalogus missalium ritus latini ab anno MCCCLXXV impressorum. Edited by Hanns Bohatta. London: Quaritch, 1928 (1383)
Boorman, Stanley. “The Salzburg liturgy and single-impression music printing,” In Music in the German Renaissance, edited by John Kmetz, 235-53. Cambridge: Cambridge University Press, 1994 (p. 243, fig. 13.1)
Daschner, Dominik. Die gedruckten Meßbücher Süddeutschlands bis zur Übernahme des Missale Romanum Pius V. (1570). Frankfurt am Main: Lang, 1995
Dolch, W., E. Langer, and I. Schwarz, Bibliographie der Österreichischen Drucke des XV. und XVI. Jahrhunderts. Wien: Gilhofer & Ranschburg, 1913 (nº 61)
Amiet, Robert. Missels et bréviaires imprimés. Supplement aux catalogues de Weale et Bohatta. Paris: CNRS, 1990. (82)
Lindmayr-Brandl, Andrea, Elisabeth Giselbrecht, and Grantley McDonald, “Introduction,” in Early Music Printing in German-Speaking Lands, ed. Andrea Lindmayr-Brandl, Elisabeth Giselbrecht and Grantley McDonald. London: Routledge, 2018: 1–17. (14)
Gillion, Marianne C.E. "Archiepiscopal Archetypes, Printed Books, and Parish Practices: Musical Notation in Editions of the ‘Missale Salisburgense’ (1492-1515)." Florilegium 34 (2017): 119–146 (published 2021).
pencil note in the back of the front binding by a late hand: "Kanon-Holzschnitt nach L. Cranach von Jost Gosmas."
Bibliotheca aulica Saliburgensis; old shelfmarks on spine: C.136.BAS; and 256.
The last two folios of the Canon (s7-8) are missing.
imperfect
Canon woodcut and Canon initial as well as the little picture on fol. 143v (Kussbild) are coloured.
Library stamp of the Bibliotheca Palat. Vindobonensis and of the Vienna Court Library.
A-Wn (1)
imperfect
Manuscript corrections, rubrics and additions to the text, but not to the music. At end is one page handwritten (without notes): “Lectio libri Sapientiae” and “Sequentia sancti Euangelij secundum Lucam” in early to mid-sixteenth century italic script.
On title page: Monasterij Baumburg[ensis].
D-Mbs (1)
very good; p. 4 is ripped at the bottom
On the very last page that is glued to the binding the price of the book is given (written at the bottom, reversed): 2 fl 10 ceg in die ptē bernhardi abbate / 1519.
Woodcut and initial of the Canon are colored by hand in yellow, red, green and blue.
On title page: "SEON"; several inscriptions on the last page that is clued on the binding, all without dating.