Vienna: Johann Winterburger, 1512, vdm: 281
Missale Pataüieñ.|| cũ additionibus.|| Bñdictionũ. Cereorũ. Cinerũ. Palmarũ. Ignis || paschalis. Euãgelij passiõis dñice quater cũ notis || musicis ẜm ordinem quatuor euangelistarum. Et || paschalis prefationis. Exultet iam angelica. &c̃.||
Hoc presens ẜm choru𝔷 Patavieñ. cũ || om̃ibus requisitis. & alijs multis suꝑ⸗||additis studiosissime reuisum correctū || & emeudatū [sic]: in clarissima vrbe superi⸗||oris Pānonie: que olī flauiana: nunc || Viēna dicta: Joānis Winterburger: || et impensis et laboribus studiosius || Anno salutis &c. Millesimo quīgen⸗||tesimo duodecimo ad Tercias idus Maij: finē optatū vendicās Missale || impressum explicit.|| Laus deo.||
upright square, printed in red; circle with cross on the top, in the circle a snake and an arrow, right and left the Initials „I“ and „W“; ornamented background
Vienna
Liturgical book
Edited in cooperation with Wolfgang Grefinger, former student of Paul Hofhaimer (Durstmüller 24). According to the colophon, Winterburger was the publisher and printer.
between colophon and printer’s mark: “Signa vides lector: hyberna ex arce Joannis Anguineas inter iaculum amentabile spiras. Anguis vt etatem: cariosas ille lituras Comit.in inuidiam gerit artis tela decorem.”
A1v: Full page woodcut by Lucas Cranach: St Stephen surrounded by two putti playing flute and tabor. Date (1502) at the base of the trunk on the left.
Full page woodcut at the beginning of the canon.
The “Te igitur” begins with historiated initial of priest standing at the altar.
Latin
[10], 1–156, [8: canon], 157–318
A-Wn 303.500
D-Mbs (2), A-Wn (2), A-Wn (3), A-Wn (1)
multiple impression
Rotunda
red type on title page, red staff lines, red initials, red text
Two music fonts in different sizes are used, music with smaller fonts in two columns, large fonts in one column; red printed over black: red and black initials. The staves are compiled of segments of various blocks. Block length (small font): 2.0, 4.0, 6.0, 8.0, 16.5, 33.0 mm. Block length (large font): 10.0, 21.0, 24.0 mm. 38, 30, 19 lines.
Hufnagel notation
full-length staff (b1r, small font, page with 2 columns): 75 x 10.5 mm; height of virgas (small font): 5.0, 5.5, 7.5 mm; full-length staff (s1r, large font, page with one column): 160 x 16.5 mm; height of virga: 9.5 mm
chant
Gozzi notes that the musical notation for the Passionales, present in this edition, are anomalous. Music on fol. 61r-70r: Passion acc. to Math.; fol. 70v-78r: Passion acc. to Mark; fol. 79r-86r: Passion acc. to Luke; fol. 88r-93v: Passion acc. to John; fol. 98r-100r: Exultet. All printed in small fonts in two columns.
fol. 133r-156v: Praefationes and intonations for Kyrie, Gloria and Ita missa est, printed in large fonts, on three separate gatherings.
A-GÖ, A-GÖ, *A-KN, A-KR, *A-SB, A-SFI, *A-Wn, *A-Wn, A-Wn, D-As, *D-Mbs, D-Mbs, D-Rs, F-Pn, F-Pn, GB-Cu, GB-Lbl, H-Bu, I-TRbc
Passau: Johann Petri, [1491–1492 c.], vdm: 1452 Augsburg: Erhard Ratdolt, 1494, vdm: 1081 Augsburg: Erhard Ratdolt, 1498, vdm: 1088 Augsburg: Erhard Ratdolt, 1503, vdm: 229 Vienna: Johann Winterburger, 1503, vdm: 224 Augsburg: Erhard Ratdolt, 1505, vdm: 780 Augsburg: Erhard Ratdolt, 1505, vdm: 236 Vienna: Johann Winterburger, 1507, vdm: 679 Vienna: Johann Winterburger, 1509, vdm: 244 Nuremberg: Jobst Gutknecht, 1514, vdm: 287
Weale, William Henry James. Bibliographia liturgica: Catalogus missalium ritus latini ab anno MCCCLXXV impressorum. Edited by Hanns Bohatta. London: Quaritch, 1928 (775)
Daschner, Dominik. Die gedruckten Meßbücher Süddeutschlands bis zur Übernahme des Missale Romanum Pius V. (1570). Frankfurt am Main: Lang, 1995
Dolch, W., E. Langer, and I. Schwarz, Bibliographie der Österreichischen Drucke des XV. und XVI. Jahrhunderts. Wien: Gilhofer & Ranschburg, 1913 (nº 69)
Panzer, Georg Wolfgang. Annales typographici ab artis inventae origine ad annum MD, 11 volumes. Nürnberg: Johannes Eberhard Zeh, 1783-1803 (9:11, 59)
Durstmüller, Anton, and Norbert Frank. 500 Jahre Druck in Österreich : die Entwicklungsgeschichte der graphischen Gewerbe von den Anfängen bis zur Gegenwart. Wien: Hauptverband der Graphischen Unternehmungen Österreichs, 1982
Imperfect: lacks title page; the copy begins with the Calendar. All bookmarks are cut off.
Canon in vellum.
1. fols. 127r and 130v: secretary hand (“Hic infundit* vinum et aqua”). 2. Canon: many 16th-century handwritten additions. 3. fols. 256v, 266r, 266v, 267v.: further 16th-century hand. 4. The final page contains a handwritten “Prosa”.
1. Handwritten on top of Calendar: “Canonico: Regal: Claustroneo: Bibliothecae inscriptis i616.”
binding not in good condition.
Canon on vellum.
Canon woodcut and Te igitur are fully coloured and gilded.
Canon printed on vellum.
Exemplar in modum accentuandi secundum ritum chori ecclesiae Patauiensis. Vienna, 1513.
Exemplar in modum accentuandi secundum ritum chori ecclesiae Pataviensis [Winterburger 1513] - A-Wn
Several additions in the calendar and glosses on the canon; empty staves on the bottom of opening fol. 1r. In all Passion music strokes are added to mark breaks in the declamation.
Inscription fol. 1 of Missale Pataviense: “Ego Thomas Heÿss parrochus in Sighartzkirchen dono accepi hoc Missale a Matathia Marco Rogÿsio Tunc Temporis Ludirector ibidem Anno 1583. Dominica 1 Aduentus.”
A-Wn (1)
Crosses with pencil (b2v), additions into the staff system „Sal:“, „le:“ and other syllables (61v ff.).
Paper pasted on verso of the binding: „Hic liber exemplum est … 1527 // De nativitate Ioannis Baptistus De … Farione. // Equium = salitare, … Babtisme cum gaudium celebrare“ (three different scribes).
On the title page „Domus probat. Soc. Jesu Vienna ad S. Anna. Anno 1634.“
A-Wn (2)
A-Wn (3)
Good.
Colorations throughout. Annotations throughout. Various additions (title page, etc.). Before the canon seven additional pages with prefaces.
Musical notes on the title page.
D-Mbs (2)
Biblioteca Feininger.