Cologne: Heinrich Quentell, 1508, vdm: 388
OPus Aureum || Musice castigatissimũ || de Gregoriana & figuratiua atq𝔷 con-||trapūcto simplici percōmode tra||ctans om̃ibꝰ cantu oblectan-||tibus vtile & necessa-||rium e diuersis || excerptum || Fata regunt finem. spero dij cepta secundent.|| Qui ducis vultus & non legis ista libēter || Omnibus inuidias. liuide nemo tibi ||
fol. H5r: ¶ Explicit opusculū musices oībꝰ volentibꝰcantū vtrū||q𝔷 tam Gregorianū q̃𝔷 etiam Figuratiuū scire summe ne||cessariū fausto fine Impressum Colonie in officina ho-||nestoꝝ liberoꝝ pie memorie Henrici Quentell. Anno || domini. M.ccccc.viij.||
Cologne
Theory book
Folios Eii and iii are exchanged; otherwise, this edition is a very close reprint of earlier editions, with the same woodcuts for musical examples.
Melchior Schanppecher is the author of the last two parts of the book, the Musica figurativa.
H5v: Dedication from Wollick to Adam Folkmar von Boppard.
Latin
GB-Lbl K.1.h.7
D-Mbs, A-Wn
woodcut; empty staff lines
Uncial, Textura, Rotunda, Antiqua (Roman)
The woodcuts are re-used from the earlier editions; they start to show signs of use, for example the Guidonian hand. Types 5, 9, 10, 12 (Proctor).
Hufnagel notation
B4v: full length of top staff: 93 mm, height: 14 mm
top of top staff to bottom of bottom staff: 134 mm.
example in theory book
Musical examples to illustrate modes and intervals etc.
A-Wn, D-Dl, D-ERu, D-Mbs, D-PA, DK-Kk, GB-Cu, *GB-Lbl, US-Cn, US-R
Cologne: Heinrich Quentell, 1501, vdm: 362 Cologne: Heinrich Quentell, 1504, vdm: 364 Cologne: Heinrich Quentell, 1505, vdm: 387 Strasbourg: Johann Prüss the Elder, 1510, vdm: 389
Proctor, Robert. An Index to the Early Printed Books in the British Museum. Part II. MDI-MDXX. Section I. Germany. London: Kegan Paul, 1903 (58, 10423)
A-Wn
D-Mbs
Gathering E is misbound (or misprinted?) Ei, iii, ii, [iv].