vdm16 
Lilium musicae planae.

Augsburg: Johann Froschauer, 1500, vdm: 482

BASICS
Title page:

Lilium Musice plane Michaelis || Keinspeck musici Alexandrini.|| [woodcut]

Colophon:

¶ Explicit Liliūm Musice plane Michaelis || Keinspeck de Nürmberga Musici Alexan⸗||drini benemeriti. Vna cū psalmodie vtriusq𝔷 || tam maioris q̃𝔷 minoris intonatione Scđm || omnes tonos. & exercitio solmisandi nouiter || adiunctis. Impressum Auguste per Johan⸗||nem Froschauer. Anno dñi. M.ccccc.||

Author:
Michael Keinspeck
Printer:
Johann Froschauer
Place of printing:

Augsburg

Year:
1500
Further information on dating: from colophon
Type of source:

Theory book

Catalogue references:
RISM B/6 p. 442
USTC 746553
GW M16242
ISTC ik00010000
vdm
482
Further details:

This book imparts basic knowledge about the singing of chant. It was published in various editions by various printers. Fétis cites an edition printed at Straßburg by Knobloch in 1506. This is not attested elsewhere, and is thus probably an error. For the first Augsburg edition printed in 1498 see vdm 1326.


Paratexts:

a2r-a2v: ¶Prologus ||

Illustrations:

Woodcut on the title page (c. 90 x 90 mm): Pythagoras and Lady Musica standing in front of a wheel with cymbals. Pythagoras holds a hammer and a banner with the solmization sylablles. The Lady has a stick in her left hand and touches the wheel with the other hand. On her right is another banner with the inscription: “Ach muß mir selbs frewd machen || wā schwartze varb wert mir lachen” (“Oh, I must make pleasure for myself when black complexion [i.e. melancholia] laughs at me”). The same illustration is used in the early Augsburg edition from 1498 (vdm 1326).


Language:

Latin

Format:
Printed area: 93 x 142 mm
Number of leaves:
16
Collation: a8, b8 (b8 is blank).
Autopsy copy:

D-Mbs Mus.th. 739


Online facsimile:

D-Mbs


D-Mbs Mus.th. 739, a1r
DETAILS
Technique for printing music:

woodcut

Text font:

Schwabacher, Rotunda, Uncial

Remarks on printing:

Rotunda is used as a display font (title page). The text is set in Schwabacher. Uncial initials. The measurements of the full-length staff are taken from the Vienna copy.


Notation:

Hufnagel notation

Number of staff lines:
4
Number of voices:
1
Measurements:

full-length staff (b2r): 94 x 12.5 mm

Comments on notation:

The quality of the musical examples is quite low, and the notation is quite crudely cut. In the first chapters of the edition smaller music examples (width c. 34 mm) are included in the text (a6-a8). The first full-length staff appears on b2r. Sometimes the printer uses a f-clef and a c-clef in one system, sometimes he only uses a c-clef.


Genre:

example in theory book

Repertoire:

Examples of intonations, recitation formulas, exercises for solmisation, etc.


Copies:

*A-Wn, B-Br, CH-Zz, *D-Mbs, D-Mu, F-Pn, GB-Lbl, H-Ba, *US-SM

Copies in historical catalogues:

The book is listed in the 1548 Bibliography by Gesner (see Bernstein).

Related editions:

Lilium musicae planae.

Basel: Michael Furter, 1496, vdm: 1324


Lilium musicae planae.

Ulm: Johann Schäffler, 1497, vdm: 1325


Lilium musicae planae.

Augsburg: Johann Froschauer, 1498, vdm: 1326


Lilium musicae planae.

Strasbourg: Matthias Hupfuff, 1506, vdm: 481


Secondary literature:

Ammel, Winfried. Michael Keinspeck und sein Musiktraktat Lilium Musicae Planae, Basel 1496. Kassel: Bärenreiter, 1970
Bernstein, Lawrence F. “The Bibliography of Music in Conrad Gesner's Pandectae (1548).” Acta Musicologica 45 (1973): 119-163 (no. 102)
Giselbrecht, Elisabeth, and Elizabeth Savage. “Printing Music: Technical Challenges and Synthesis, 1450–1530,” in Early Music Printing in German-Speaking Lands, ed. Andrea Lindmayr-Brandl, Elisabeth Giselbrecht and Grantley McDonald. London: Routledge, 2018: 84–99. (91)


D-Mbs Mus.th. 739, a6r
COPIES
A-Wn (Wien, Österreichische Nationalbibliothek)
Shelfmark: Ink 25.G.65
Condition:

Good.

Classification of binding:
later / modern binding
Description of binding: Leather binding with stamped golden imperial eagle on the cover.
Manuscript additions or corrections:

Pencil foliation entered by a modern hand. B7v shows faint remains of handwritten annotations; some of them are music notation.


B-Br (Brussels, Bibliothèque Royale de Belgique / Koninklijke Bibliotheek van België)

CH-Zz (Zürich, Zentralbibliothek, Musikabteilung)
Shelfmark: Ink K 342,5

D-Mbs (München, Bayerische Staatsbibliothek)
Shelfmark: Mus. theor. 739
Classification of binding:
later / modern binding
Description of binding: Light brown cardboard.
Link to online scan:

D-Mbs


D-Mu (München, Universitätsbibliothek der Ludwig-Maximilians-Universität)

F-Pn (Paris, Bibliothèque nationale de France)

GB-Lbl (London, British Library)
Shelfmark: Music K.1.h.3 = IA.6539

H-Ba (Budapest, Magyar Tudományos Akadémia Könyvtára)

US-SM (San Marino, CA, Henry E. Huntington Library & Art Gallery)
Shelfmark: 90909
Condition:

Very good, guilded

Classification of binding:
undefined / undefinable
Description of binding: Vellum on cardboard
Provenance:

Puchased by Huntington from Vollbehr on November 1, 1924 (online catalogue); on pastedown: „Ham 9762“, „Pri 1837“, both inscriptions with pencil and with English numbers (1, 7).