Leipzig: Wolfgang Stöckel, 1516, vdm: 500
Compendiaria Mu||sice artis aeditio/ cũcta q̃ ad practicã || attinẽt mira quadã breui⸗||tate complectens.|| [woodcut] || Inuentum Samij modosq𝔷 vatis || Si paucis cupias habere verbis || Me paruum/ facito/ legas libellum || Et paruo redimas/ vale viator || MK||
Lipsi Vuolffgangus Monaceñ.impressit.Anno. 1516.|| (fol. C5v)
Leipzig
Theory book
There are two editions of this book printed in the same year by the same printer, which show major variants on the title page, colophon, and layout throughout.
A1v-2r: Reuerendo in Christo patri ac dno dno Balthasari coenobij Dobrilucensis Abbati… Michael Koswick artium ac philosophiae magister S.P.D. (preface, dated Lipsi Calendis Aprilibus. Anno partus deipare virginis. Millesimo quingentesimosextodecimo).
A2r: Tetrastichon in liuidum.
Title woodcut: Pythagoras holding a pair of scales with a hammer on one and two bells on the other side. He stands outdoors, in front of a blacksmith where three men are hitting hammers on an anvil. In the background is a village with a mill and a castle on a hill. On the top is the inscription: „PITAGORAS“.
Latin
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woodcut
Rotunda, Textura
Hufnagel notation; Mensural notation
full-length staff (A3r, hufnagel notation): 110 x 9 mm; full-length staff (B4v, mensural notation): 112 x 7 mm.
Two tables to show how to compose for several voices (fols. C5r-v).
example in theory book
Musical examples for hexachords, modes, intervals, psalm intonations, note values, ligatures, proportion, rules of counterpoint.
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Leipzig: Wolfgang Stöckel, 1516, vdm: 498 Leipzig: Wolfgang Stöckel, 1517, vdm: 501 Leipzig: Wolfgang Stöckel, 1518, vdm: 499 Leipzig: Wolfgang Stöckel, 1519, vdm: 502 Leipzig: Wolfgang Stöckel, 1520, vdm: 497
[1] [Apologia pro declamatione de laude matrimonii] Des. Erasmi Roterodami Apologia pro declamatione de laude matrimonij. Basel: Frobenius, 1519;
[2] Junij Juuenalis || Aquinatis inter Latinos sa||tyrographos cõsumatissimi Satyrę:|| emaculatius impressę.|| ITEM.|| Au. Persius Satyrus non || ignobilis.|| Leipzig: Jakob Thanner, 1517;
[3] VLRI=||CHI DE HVTTEN || EQVITIS GERMANI.|| STICHOLOGIA VT || COMPENDIOSA || ITA NON IN=||FRVGIPE=||RA.|| Leipzig: Valentin Schumann, 1518;
[4] [Versilogus] Antonij Manci||nelli Versilogus iam multis || in locis recognitus & auctus per Iosephu[m] Horlen=||niu[m]. Adiectis breuibus & vtilib[us] co[m]me[n]tarijs viri vn=||decu[m]q[ue] doctissimi Ioa[n]nis Murmellij Ruremu[n]de[n]sis.|| Lipsiae: Schuman[n], 1517;
[5] [Dialogi Duo, Charon Et Tyrannus] LVCIANI || SAMOSATENSIS || DIALOGI DVO,|| CHARON ET || Tyrannus, in qui||bus mira gratia || humanę con||ditionis miseriae || depinguntur, Petro || Mosellano Protegensi || Interprete.||. Hagenau: Thomas Anshelm, 1518;
[6] DIVI PAVLI AD TITVM || EPISTOLA SANCTA.|| Wittenberg: Johann Rhau-Grunenberg, 1516;
[7] [De coniuratione Catilinae] C. Crispi Sallvstii De coniuratione Catilinæ ; Eivsdem. De bello Iugurthino; Item. C. Crispi Sallustij vita. Straßburg: Matthias Schürer, 1513.
[8] Compendiaria musicae artis editio (b). Leipzig: Wolfgang Stöckel, 1516, vdm: 500.
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