Cologne: Johannes Gymnich the Elder, 1535, vdm: 504
❧ ANDREAE OR-||NITOPARCHI MEYNINGENSIS DE || arte cantandi micrologus, libris quatuor || digestus, omnibus musicæ studio-||sis non tam utilis quàm neces-||sarius, diligenter reco-||gnitus.|| [printer’s decoration] || ¶ Coloniæ apud Ioannem Gymnicum.|| Anno. M. D. XXXV.||
Cologne
Theory book
Separated in four books with different themes, but they continue on from each other (not starting a new collation, for example). Interestingly, each part has a new dedication letter. Further editions after 1550: Leipzig 1555, London 1609.
A1v: In Libelli titulum inscriptionemque iocus.
A1v: Nicolaus Marescalcus thurius, … in musicen Andreæ Ornitoparchi.
A2r-A3v: Spectabilibus Praeclarisque viris Lunenburgensis ... Andreas Ornitoparchus Meyningensis liberalium disciplinarum Magister, Salutem.
A3v: Henrici Cotheri Brunopolitani. Argumentum libri primi.
E4r: Venerabili Multae Benevolentiae viro Domino Georgio Brachio ... Andreas Ornithoparchus … salutem (second dedication letter at start of the second chapter).
I1v: Perspicacis ingenii Viro Philippo Suro Myltemburgensi ... Andreas Ornitoparchus Meyningensis Sa. (new dedication letter at beginning of third part).
K2v: Spectabili … viro Magistro Arnoldo Schlick … Andreas Ornitoparchus ... Salutem (new dedication letter at beginning of fourth part).
M2v: Tetrastichon autoris ad Librum.
M3r: Libellus ad lectorem.
M3v: Henrici Cotheri Brunopolitani ... ad Andream Ornithoparchum ... epigramma.
M3v: Tetrastichon Autoris in inuidum.
This book has a large number of paratexts. Each book has a new preface.
Latin; Greek
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woodcut
Italic, Greek, Antiqua (Roman)
Some example in inverse printing (white lines on black background): note values on f. E6r; f. F3v. Tables with notation for two voices (score). The text is set in Italics. Antiqua is used as a display font.
Hufnagel notation; Mensural notation
full-length staff (B1v): 113.5 x 13.5 mm
example in theory book
Chapters on cantus planus (and definition of music), mensuralis cantilena, ecclesiasticus accentus, contrapunctus. Musical examples on: different modes, mutation, intervals, monochord, psalm intonations, accentus, counterpoint.
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A copy of this edition was recorded in the catalogue of the Werdenstein library (Charteris, p. 199).
Leipzig: Valentin Schumann, 1517, vdm: 506 Leipzig: Valentin Schumann, 1519, vdm: 505 Cologne: Hero Fuchs, 1524, vdm: 528 Cologne: Johannes Gymnich the Elder, 1533, vdm: 503
Charteris, Richard. Johann Georg von Werdenstein (1542-1608). A Major Collector of Early Music Prints. Sterling Heights, Michigan: Harmonie Park Press, 2006 (p. 199; II, no. 22)
On title page: Mus. N= 187 in brown ink.
Formerly owned by Johann Georg von Werdenstein, accessioned to the Bavarian ducal library in 1592. The bookplate “Ex. Electorali Bibliotheca ... Bavariae Ducum” is pasted in the front.
Charteris, Richard. Johann Georg von Werdenstein (1542-1608). A Major Collector of Early Music Prints. Sterling Heights, Michigan: Harmonie Park Press, 2006 (199)
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