Cologne: Heinrich von Neuß, 1515, vdm: 542
Musica || Decastichon.M. Jo.wendelstein || in musicam exhortatorium.|| Quos dolor & luctus mentis mala gaudia tangunt || Huchuc assitis.Orphea consulite || Musica duersis [sic] effingit vocibus vnum || Concors nempe melos:delicias animi.|| Hic non illecebris locus est non carmina spurca || Pangimus: ingrate nou [sic] canimus domine || Nos celestis amor moueat:blando resonare || Concentu: & suaui voce replere chorum || Quare agite O iuuenes.per parua hunc mole libellum || Sumite mente pia: quem pius edit amor.|| Remacli florenatis Hexastichon || Si tibi threijcum vis conciliare leporem || Et testudinee plectra canora lyre || Suscipe dyrceos helyconis gurgite fontes || Artificis referes munera grata chelis || Addidit ad musas coclei cura Johannis || Que non liuor edax rumpere dente queat.|| Matthie aquensis octostichon.|| Quos pia suauisoni placant modulamina cantus || Huc afferte pedem: Musica concipite.|| Perlegite e docto coclci [sic] pectore promptam || Musam: que varios perdocet vna modos || Hec (q̃𝔷q̃𝔷 modicis)omnem dabit arte canori || Carminis harmouiā [sic] multisonum q𝔷 melos.|| Quid tonus.ac vocū que mese.quid diapente.|| Dulcor quisve siet vocibus appositis.||
¶ Finis Musice mensuralis scđe quidem partis || huius negocij. Impressum Colonie per me hone||stum Ciuem Hēricum de Nussia.Anno dñi Mil||lesimo Quingentesimo decimoquinto.Altera die || Adriani.||
Cologne
Theory book
A1r: poems by Cochlaeus, Remaclus Florenas and Mathias Cremerius Peltzer.
A1v-A2r: In musicā ṕfaciūcula eiusdē.M.Jo.wendelstein (preface by Cochlaeus)
B6v: Imperial coat of arms (double headed eagle with imperial crown and crucifix) in a rectangle frame (90.5 x 136 mm). Woodcut table explaining the hexachord system is given on A2v.
Latin
None
D-KNu AD+BL149
woodcut
Rotunda, Uncial
Uncials often used as capitals to introduce sections. The text is set in Rotunda.
Hufnagel notation; Mensural notation
full-length staff (A3v): 105.5 x 10 mm
Hufnagel notation is printed on two to five lines. The mensural notation is printed on four and five lines. The quality of the musical examples is quite low. Unlike the 1507 Cologne edition printed by Landen (vdm 540), this edition does not give any scalae compositoriae. Short musical examples in the margins (mostly printed with three lines) can be found throughout the whole print.
example in theory book
Two-part music theory book (Musica plana and musica mensurabilis).
*D-KNu
[Nuremberg]: [Anonymous], [1499–1504 c.], vdm: 543 Cologne: Johann Landen, 1507, vdm: 540 [Cologne]: [Johann Landen], [1507 or before], vdm: 541
Good.
Extensive annotations by a 16th century hand on the first three leaves. Page numbering and minor annotations by a modern hand.
What might be an owner's mark in the top right corner of the title page has been crossed out.