Leipzig: Valentin Schumann, 1514, vdm: 586
Joānis Reuch⸗||lin Phorcensis Scenica || Progymnasmata.Hoc || est. Ludicra preexer⸗||citamenta.|| Sebastianus. Brant.|| Accipe Vangionū presul venerāde/Ioannis || Capnionis nostri comica dulciloqui.|| Quo duce Germanos comedia prisca reuisit || Et meruit succis Rhenus inire nouis.|| Barbarico ex fumo/flāmas meꝰ ille decoras || Capnion elicuit. gracia multa viro.|| Multū docta cohors/multū cirrata iuuētus || Debet Capnioni. multa thalia meo.|| Nihil sine causa || OLPE ||
Impressū Liptzk ꝑ Valentinū Schumā. M.ccccc.xiiij.||


Leipzig

Humanist book
The two variant editions have different line falls on the title pages.

 A1r: Poem by Brant on title page
A1v: Reuerēdissimo Clarissimoq𝔷 in || Christo [...] (dedicatory letter by Bermann von Olpe)

Title border made from five woodcut strips. The top strip shows a putto holding two shields with coat of arms one of which is the arms of Leipzig.
Latin

None

D-Gs 8 P DRAM I, 2867
Scaenica progymnasmata [Schumann 1514]- D-HAu


woodcut
Antiqua (Roman), Rotunda, Textura
Textura is used as a display font. Rotunda is used for the dedicatory letter and for the epilogue.
Mensural notation
full-length staves: 89 x 13.5 mm (Mortalium, A5r); 98 x 12.5 mm (Digna, B1r); 122 x 13 mm (Musis, B2r); 123 x 13 mm (Cedant, B3v)
The four musical examples are notated in two different ways. While the first, third and fourth examples are given in white mensural notation, the second example is given in black semibreves and breves (probably to indicate the chorus' triple meter).
dramatic chorus
Four choruses: 1. Mortalium iocunditas volucris et pendula; 2. Digna sunt Apolline; 3. Musis poetis et sacro; 4. Cedant fori contentio et iurgia. Daniel Megel is named as a composer in the epilogue.
Daniel Megel
D-HAu, *D-Gs
   [Strasbourg]: Johann Grüninger, 1498, vdm: 596  [Basel]: Johann Bergmann von Olpe, 1498, vdm: 73  [Leipzig]: [Melchior Lotter the Elder], [1503 c.], vdm: 101  [Leipzig]: [Martin Landsberg], [1504], vdm: 605  Pforzheim: Thomas Anshelm, 1508, vdm: 588  Pforzheim: Thomas Anshelm, 1509, vdm: 76  Tübingen: Thomas Anshelm, 1511, vdm: 77  Tübingen: Thomas Anshelm, 1512, vdm: 102  Leipzig: Jacob Thanner, 1514, vdm: 75  Vienna: Johann Singriener the Elder & Hieronymus Vietor, 1514, vdm: 78  Leipzig: Valentin Schumann, [1514], vdm: 590  Leipzig: Jacob Thanner, 1515, vdm: 79  Leipzig: Valentin Schumann, 1515, vdm: 592  Leipzig: Valentin Schumann, 1515, vdm: 593  Tübingen: Thomas Anshelm, 1516, vdm: 80  Leipzig: Valentin Schumann, 1518, vdm: 607  Cologne: Eucharius Cervicornus, 1519, vdm: 611  Leipzig: Valentin Schumann, 1519, vdm: 613  Cologne: Eucharius Cervicornus, 1519, vdm: 612  Leipzig: Nickel Schmidt, 1521, vdm: 614  Leipzig: Valentin Schumann, 1521, vdm: 615  Leipzig: Jacob Thanner, 1521, vdm: 616  Vienna: Johann Singriener the Elder, 1523, vdm: 81  Cologne: Eucharius Cervicornus, 1528, vdm: 617  Cologne: Johannes Gymnich the Elder, 1534, vdm: 100  Cologne: Johannes Gymnich the Elder, 1537, vdm: 82  Cologne: Johannes Gymnich the Elder, 1540, vdm: 83
Holstein, Hugo: Johann Reuchlins Komödien. Ein Beitrag zur Geschichte des Lateinischen Schuldrama, Halle: Verlag der Buchhandlung des Waisenhauses, 1888 (Nachdruck 1973).




Bibliotheca Ponickaviana

Scaenica progymnasmata [Schumann 1514]- D-HAu
Binding shows minor damage.


Some annotations (e. g. B1r).
