Cologne: Eucharius Cervicornus, 1519, vdm: 611
IOAN. REVCH-||LIN PHORCENSIS SCAENICA || PROGYMNASMATA, HOC || EST LVDICRA PRAE-||EXERCITAMEN-||TA.|| SEBASTIANVS BRANT.|| Accipe Vangionum præsul uenerande Ioannis || Capnionis nostri comica dulciloqui.|| Quo duce Germanos comœdia prisca reuisit,|| Et meruit soccis Rhenus inire nouis.|| Barbarico ex fumo flammas meus ille decoras,|| Capnion elicuit, gratia multa uiro || Multum docta cohors, multu cirrata iuuentus || Debet Capnioni, multa thalia meo.||
¶ Coloniæ in ædibus Eucharij Ceruicorni,|| Anno uirginei partus. M. D. XIX || mense Ianuario.||


Cologne

Humanist book

 A1v: Dedicatory poem by Sebastian Brant.
A1v: dedication letter, dated “Ex Basilæa Calen. Maij Anno Christi. M.CCCC.xcviij.”
C3v-C4r: description of the performance
C3v-C4r: Acta ludis Februis [sic] in edibus Illustris Principis & Reuerendi domini Ioannis Camerarij Dalburgij, Vangonium episcopi, [name of the actors, Modos fecit Daniel Megel], “cal. Februarias Anno domini millesimo quadringentesimo nonagesimoseptimo.”

 C4r: oblong woodcut St George slaying the dragon in a landscape with a castle in the background, with architectural frame (printed very faintly).
C4v: woodcut Lucretia stabbing herself, in her bare breast, in architectural frame between two columns, with inscription “.LVCRECIA.”
Latin


F-Pn RES M-YC-1018
woodcut
Antiqua (Roman), Textura
Textura for titles of acts.
Mensural notation
 staves: 
Mortalium: 95 x 15.5 mm
Digna: 96 x 15.5 mm
Musis: 112 x 15.5 mm
Cedant: 110 x 15.5 mm
dramatic chorus, monophonic song
Four choruses at the ends of acts 1 to 4: Mortalium iocunditas volucris et pendula; Digna sunt Apolline; Musis poetis et sacro; Cedant fori contentio et iurgia.
*F-Pn
   [Strasbourg]: Johann Grüninger, 1498, vdm: 596  [Basel]: Johann Bergmann von Olpe, 1498, vdm: 73  [Leipzig]: [Melchior Lotter the Elder], [1503 c.], vdm: 101  [Leipzig]: [Martin Landsberg], [1504], vdm: 605  Pforzheim: Thomas Anshelm, 1508, vdm: 588  Pforzheim: Thomas Anshelm, 1509, vdm: 76  Tübingen: Thomas Anshelm, 1511, vdm: 77  Tübingen: Thomas Anshelm, 1512, vdm: 102  Leipzig: Jacob Thanner, 1514, vdm: 75  Vienna: Johann Singriener the Elder & Hieronymus Vietor, 1514, vdm: 78  Leipzig: Valentin Schumann, 1514, vdm: 586  Leipzig: Valentin Schumann, [1514], vdm: 590  Leipzig: Jacob Thanner, 1515, vdm: 79  Leipzig: Valentin Schumann, 1515, vdm: 592  Leipzig: Valentin Schumann, 1515, vdm: 593  Tübingen: Thomas Anshelm, 1516, vdm: 80  Leipzig: Valentin Schumann, 1518, vdm: 607  Leipzig: Valentin Schumann, 1519, vdm: 613  Cologne: Eucharius Cervicornus, 1519, vdm: 612  Leipzig: Nickel Schmidt, 1521, vdm: 614  Leipzig: Valentin Schumann, 1521, vdm: 615  Leipzig: Jacob Thanner, 1521, vdm: 616  Vienna: Johann Singriener the Elder, 1523, vdm: 81  Cologne: Eucharius Cervicornus, 1528, vdm: 617  Cologne: Johannes Gymnich the Elder, 1534, vdm: 100  Cologne: Johannes Gymnich the Elder, 1537, vdm: 82  Cologne: Johannes Gymnich the Elder, 1540, vdm: 83


Some Latin glosses in the margins and between the lines, in a German hand of the early sixteenth century.
