Leipzig: Nickel Schmidt, 1521, vdm: 614
Joannis || Reuchlin Phor⸗||cenſis Scenica Progymnaſ⸗||mata.Hoc est Ludicra || præexercita⸗||menta,|| Sebaſtianus Brandt,|| Accipe Vangionū pręſul venerāde Ioannes || Capnionis nostri comica dulciloqui,|| Quo duce Germāos comedia priſca reuiſit,|| Et meruit ſuccis Rhenus inire nouis || Barbarico ex fumo, flāmas meꝰ ille decoras || Capnion elicuit, gratia multa viro.|| Multū docta cohors multū citrata iuuentus || Debet Capnioni,multa Thalia meo.|| Nihil ſine causa, OLpe,|| 1520 ||
Lipſie ex ædibus Nicolai Fabri. Anno || domini. Milleſimo quingenteſimo || vigeſimo primo.||
Leipzig
Humanist book
A1v: Dedicatory letter by Bergmann von Olpe: “Reuerendiſſimo Clariſſimoq𝔷 in Chriſto patri & dño.Domino || Ioanni Camerario Dalburgio Vangionū,aut Vuormatieñ Antiſtiti.|| Principiq𝔷 pientiſſimo.Io, domino suo clemētissimo Ioan. Bergman de Olpe, Archidyaconis Grã||disuallis, cum humili commendatione, obedientiam.||"
Title border woodcut with columns on either side; decorative ornaments all around.
Latin
D-HVI Bu-Kap. 1016
woodcut
Textura, Antiqua (Roman)
Textura used as a display font only.
Mensural notation
full-length staff: 91 x 16 mm (A4r); 113 x 13 mm (A5v); 122 x 13 mm (A6v)
One chorus (fol. A5v) notated in black notation, the others in white mensural notation.
dramatic chorus
Four choruses: Mortalium iocunditas volucris et pendula; Digna sunt Apolline; Musis poetis et sacro; Cedant fori contentio et iurgia.
*D-HVl
[Strasbourg]: Johann Grüninger, 1498, vdm: 596 [Basel]: Johann Bergmann von Olpe, 1498, vdm: 73 [Leipzig]: [Melchior Lotter the Elder], [1503 c.], vdm: 101 [Leipzig]: [Martin Landsberg], [1504], vdm: 605 Pforzheim: Thomas Anshelm, 1508, vdm: 588 Pforzheim: Thomas Anshelm, 1509, vdm: 76 Tübingen: Thomas Anshelm, 1511, vdm: 77 Tübingen: Thomas Anshelm, 1512, vdm: 102 Leipzig: Jacob Thanner, 1514, vdm: 75 Vienna: Johann Singriener the Elder & Hieronymus Vietor, 1514, vdm: 78 Leipzig: Valentin Schumann, 1514, vdm: 586 Leipzig: Valentin Schumann, [1514], vdm: 590 Leipzig: Jacob Thanner, 1515, vdm: 79 Leipzig: Valentin Schumann, 1515, vdm: 592 Leipzig: Valentin Schumann, 1515, vdm: 593 Tübingen: Thomas Anshelm, 1516, vdm: 80 Leipzig: Valentin Schumann, 1518, vdm: 607 Cologne: Eucharius Cervicornus, 1519, vdm: 611 Leipzig: Valentin Schumann, 1519, vdm: 613 Cologne: Eucharius Cervicornus, 1519, vdm: 612 Leipzig: Valentin Schumann, 1521, vdm: 615 Leipzig: Jacob Thanner, 1521, vdm: 616 Vienna: Johann Singriener the Elder, 1523, vdm: 81 Cologne: Eucharius Cervicornus, 1528, vdm: 617 Cologne: Johannes Gymnich the Elder, 1534, vdm: 100 Cologne: Johannes Gymnich the Elder, 1537, vdm: 82 Cologne: Johannes Gymnich the Elder, 1540, vdm: 83
The A and B gatherings seem to be separated from each other for some time.
Lots of annotations, additions, corrections, and comments throughout the print, in black and red ink; some of them are remarks to stage productions (e.g. "solo", fol. B1v). One chorus (fol. B2r) contains a handwritten addition.