vdm16 
[Missale Brixinense].

Basel: Jakob Wolff, 1511, vdm: 686

BASICS
Title page:

Missale ẜm ritum ecclesie Brixinensis || [woodcut] || Sctūs Ingenuinꝰ ep̃s S. Cassianꝰ ep̃s & martyr. S. Albuinus ep̃s||

Colophon:

Finit itaq𝔷 bonis auibus li⸗||ber missalis ẜm verū ritū & mo||re𝔷 ecclesie Brixinensis Anno || salutis nr̃e Millesimo q̇ngente||simo vndecimo: die vero tertio || mẽsis Augusti:cū pluribus ad||ditis:nōtā rubricis q̃𝔷 etiā inte||gris missis q̃ in prioribꝰ nōn ha⸗||bebant. Imp̃ssus autē faberri||me Basilee ꝑ magistrū Jaco||bũ de Pfortzheim:impẽsis ꝓ⸗||uidi Joãnis Osrvaldt ciuis au||gusteñ.Emēdatus ꝟo exactissi||me ꝑ magistrũ Blasiũ Forner:|| ita vt ne tantillū q̇dē verbuli sit || qđ nō quater anteq𝔷 lr̃is man⸗||daret:fuerit rigorosissime exa⸗||minatū:deniq𝔷 nullū extat:aut || epła aut evāgelium qđ non ex emēdatissimo quodā biblie co⸗||dice fuerit lectū. Quare si quid || mēdosum minusve scitū in eo || fuerit repertū:non ascribat ne⸗||gligentie. Neminē enī vnq̃𝔷 in || sua arte sic absolutū fuisse cog°||uimꝰ vt non alicubi cesset. Eu𝔷 || qñq𝔷 bonus dormitet homerꝰ || et operi longo fas sit ignoscere || somnū:vt puerbiū apud Hora||tiū recenset. Vale lector ||

Editor: Blasius Forner
Printer:
Jakob Wolff
Publisher: Christoph Schroffenstein, von; Johann Oswalt
Printer's mark:

Upright square with a shield, inside the letter H and a cross upon a circle, printed entirely in red.

Place of printing:

Basel

Year:
1511
Further information on dating: from colophon
Type of source:

Liturgical book

Catalogue references:
VD16 M 5565
vdm
686

Further contributors: Christoph Schroffenstein, von
Paratexts:

1v: Preface by Christoph von Schroffenstein, bishop of Brixen, dated April 7, 1511, notes that the publication of the work was undertaken by the Augsburg publisher Johannes Oswald. Blasius Forner’s involvement as corrector is noted in the colophon.
2r-7v: Calendar
8r: Calculation of easter
8v-9r: Repertoriū ad festa mobilia & dñicalia (index)

Illustrations:

Full-page title woodcut. In the top half is a seated Madonna and child. On her right is St Peter with a key, on her left is St Paul with a sword. In the lower section of the woodcut are three heraldic shields with the various devices of the bishopric of Brixen: an eagle with a crozier, the Agnus Dei, and a bleeding black goat cut in half with the lower part missing. At the bottom are three bishop-saints: St Ingenuinus, St Cassianus and St Albuinus. On the verso, beneath the preface, the arms of the bishop of Brixen. Woodcut to calculate the date of Easter on 8r. Full page canon woodcut. Various decorated woodcut initials. Historiated T at the beginning of the canon. Historiated initial and ornamented column in the left margin on a1r.


Language:

Latin

Confessional identity:
Roman Catholic
Liturgical use: Bressanone / Brixen
Format:
Printed area: 167 x 272.5 mm (a2r)
Number of leaves:
260
Collation: [10], a-p8, q6, r8, s6, t8, v-z8, A-G8, H-I6 (s3 is incorrectly signed as r3)
Original foliation:

I [a1]-CCXLVII [I5]

Autopsy copy:

D-Mbs 2° Liturg. 193 (information on the canon from A-Wn 22.B.12).


Online facsimile:

D-Mbs, A-Wn


D-Mbs 2° Liturg. 193, [1]r
DETAILS
Technique for printing music:

multiple impression

Text font:

Rotunda, Antiqua (Roman), Uncial

Colour printing:

red type on title page, red staff lines, red initials, red text

Remarks on printing:

Antiqua is used only in the preface by the bishop. The music is found in quires r and s. In some instances it looks as if the red had been printed after the black. In the canon single notes are printed in red (t5v). When they touch the line, the staff lines are interrupted. Two columns, 38, 20 lines. Space is always left for the large red uncial initials, which start new pieces or important sections of chant. Red double margins bound the staves to the left and the right, and the clefs and custodes are printed within these.


Notation:

Hufnagel notation

Number of staff lines:
4
Number of voices:
1
Measurements:

full-length staff: 165 x 17.0 mm; height of virga: 7.5 mm

Comments on notation:

The music type is elegantly cut and a full range of notational forms are used. The pater noster in the canon contains notes printed in red that are to be sung on high feasts and omitted on ferial celebrations (rubric at the bottom of t5r).


Genre:

chant

Repertoire:

r1r-r2r: Kyrie and Gloria intonations; r2v: Credo intonations; r3r-s5r: solemn prefaces (Christmas, Epiphany, Easter, Ascension, Pentecost, Trinity, Blessed Virgin Mary, Apostles), mediocritur prefaces (Christmas, Epiphany, Lent, Holy Cross and Holy Thursday, Easter, Ascension, Pentecost, Trinity, Blessed Virgin Mary, Apostles), ferial prefaces (Lent, Holy Cross, Blessed Virgin Mary, Apostles), solemn, mediocritur and ferial quotidiana; t5v: Pater noster; t6r: peace.


Copies:

A-Iu, *A-Ssp, A-Su, *A-Wn, *D-Mbs, GB-Lbl, I-BREs

Related editions:

[Missale Brixinense].

Augsburg: Erhard Ratdolt, 1493, vdm: 1078


Secondary literature:

Molitor, P. Raphael. Deutsche Choral-Wiegendrucke. Ein Beitrag zur Geschichte des Chorals und des Notendrucks in Deutschland. Regensburg etc. 1904. Repr. Hildesheim: Olms, 1982 (62)
Weale, William Henry James. Bibliographia liturgica: Catalogus missalium ritus latini ab anno MCCCLXXV impressorum. Edited by Hanns Bohatta. London: Quaritch, 1928 (208)
Daschner, Dominik. Die gedruckten Meßbücher Süddeutschlands bis zur Übernahme des Missale Romanum Pius V. (1570). Frankfurt am Main: Lang, 1995
Amiet, Robert. Missels et bréviaires imprimés. Supplement aux catalogues de Weale et Bohatta. Paris: CNRS, 1990. (18)


D-Mbs 2° Liturg. 193, r1r
COPIES
A-Iu (Innsbruck, Universitäts- und Landesbibliothek)

A-Ssp (Salzburg, Erzabtei St. Peter)
Shelfmark: SPS-18153
Condition:

Imperfect. Missing the canon woodcut. Good general condition. Some worming and staining at the bottom corners.

Comments:

Canon printed on vellum.

Classification of binding:
contemporary binding
Description of binding: Brown leather over wood. Rolled annd blind stamping. Remains of metal clasps, corners, and central bosses. Leather tabs. The leather is coming away from them spine. A page with empty printed red staves is glued on the front inside cover.
Manuscript additions or corrections:

Handcoloured title page, preface woodcut, canon ititial.

Provenance:

[1v:] "Mñrij S. Petri Salisb. tt. legati. HKnollij 1639" (owners mark written under the preface)


A-Su (Salzburg, Universitätsbibliothek)
Shelfmark: F II 12

A-Wn (Wien, Österreichische Nationalbibliothek)
Shelfmark: 22.B.12
Condition:

With canon in parchment; a paper with empty staves (four very uneven lines each) is glued on the inner side of the back binding.

Classification of binding:
contemporary binding
Description of binding: Brown leather on wood, rolling stamps in a frame, „Missale“ on the top.
Manuscript additions or corrections:

Hand-coloured woodcuts (red, blue, green, purple, yellow).

Link to online scan:

A-Wn


D-Mbs (München, Bayerische Staatsbibliothek)
Shelfmark: 2° Liturg. 193
Condition:

Canon is missing.

Comments:

Canon is missing

Classification of binding:
contemporary binding
Description of binding: Brown leather over oak boards, rolling stamps in a frame. The word “Missale” is blindstamped on the front cover.
Manuscript additions or corrections:

The woodcuts are hand-coloured.

Link to online scan:

D-Mbs


GB-Lbl (London, British Library)
Shelfmark: C.35.k.11

I-BREs (Bressanone, Seminario Maggiore, Biblioteca)
Shelfmark: F I 12 (185)