Cologne: Johannes Gymnich the Elder, 1539, vdm: 826
❧ SVSAN⸗||NA COMOEDIA || TRAGICA.|| PER XYSTVM BETVLIVM || AVGVSTANVM.|| [printer’s mark] || Coloniæ, excudebat Ioannes Gymnicus.|| Anno. M. D.XXXIX.||
Heraldic seahorse with banderole inscribed: “DISCITE IVSTITIAM MONITI” (on title page).
Cologne
Humanist book
Woodblocks for music are reused from the earlier edition of 1538 (vdm 820).
A1v-3r: Pueri in laudem Agrippinae urbis in qua repetita est actio. The text is printed in full (“Agrippina tibi laudibus inclytæ, || Germani imperii quæ decus omnium || …”), and then set to music.
D-W P 1692 Helmst 8°
D-Ju, D-Sl
woodcut
Italic, Antiqua (Roman)
Antiqua used as display font.
Mensural notation
full-length staff: 80 x 13.5 mm
The music is set out in an awkward way: the four voice parts simply run one after the next (discantus, tenor, altus, bassus) in such a way that it is impossible for them to be sung at the same time from the same copy.
This edition contains only one piece: a four-voice setting in praise of “Agrippina urbs” (Cologne), which comes before the start of the play.
D-BMm, D-FRu, D-Gs, D-Ju, D-Sl, *D-W, GB-Lbl
Cologne: Johannes Gymnich the Elder, 1538, vdm: 820 Cologne: Johannes Gymnich the Elder, 1541, vdm: 1191
D-Ju
D-Sl
Good.
2. Macropedius, Hecastus, fabula non minus pia quam iucunda, Köln: Gymnich 1540
3. Samaritus, Samarites Comoedia de Samaritano, Köln: Gymnich 1539
4. Schnepper, Voluptatis ac virtutis pugna, Köln: M. Gymnich 1546
5. Goerinus, Epistola ac Libellus eruditione gratoque lepore festivissimus, Köln: Soter 1534
Cancelled inscription on the title page from the University of Helmstedt.