vdm16 
  
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[Missale Pataviense].

Augsburg: Erhard Ratdolt, 1494, vdm: 1081

DETAILS
Technique for printing music:

multiple impression

Text font:

Rotunda, Uncial

Colour printing:

red initials, red staff lines, red text, multicoloured print

Remarks on printing:

Printed notes and staves. Space is left in the staff for major initials, which are printed in red; initials for versicles etc are printed in black over the staves.
The title woodcut is printed in five colours. It is possible that the canon woodcut is also printed in colour (more copies need to be checked).
The colouring of the Agnus Dei woodcut (r4v) is the same in the A-KN and D-Mbs copies. While the red and black are evidently printed, the blue and green seem to be added by hand. However, the uniformity of the colouring suggests that it was done in-house.
Overlapping of notes and text (e.g. 121v, system 7) shows that the notes and the text were printed in separate impressions.


Notation:

Hufnagel notation

Number of staff lines:
4
Number of voices:
1
Measurements:

full-length staff: 165 x 7.5 mm (fol. 118r, first system).
Height of virga one: 8.5 mm; height of virga two: 9 mm; height of virga three: 12 mm.
Each system is made of several pieces: seven sections of 22 mm, one section of 9 mm, one section of 3.5 mm.


Genre:

chant

Repertoire:

Printed notation for prefaces of feasts of various levels of solemnity (Christmas, Epiphany, Lent, Passiontide, Holy Cross, Easter, Ascension, Pentecost, Trinity, BVM, Apostles, Daily, Pro defunctis), Per omnia secula … Pax domini, Kyrie, Gloria intonations, Credo intonations, Ite missa est, Benedicamus domino.



Secondary literature:

Weale, William Henry James. Bibliographia liturgica: Catalogus missalium ritus latini ab anno MCCCLXXV impressorum. Edited by Hanns Bohatta. London: Quaritch, 1928 (131-132)


D-Mbs Rar. 331, [o1]r

  
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