Title page:

Lilium Musice plane Michael || Keinspeck musici Alexandrini.|| [woodcut] ||

Colophon:

[ornament] Explicit Lilium Musice plane Michaelis || Keinspeck de Nürnberga Musici Alexan-||drini benemeriti Vna cu𝔷 psalmodie vtriusq𝔷 || tam maioris q̃𝔷 minoris intonatōe.secundum || omnes tonos.et exercicio solmisandi Nouiter || adiunctis. Impressum Vlme per Johānem || Schäffler.Anno salutis.M.cccc.xcvii.||

Ulm

Theory book

Fétis cites an edition printed at Straßburg by Knobloch in 1506. This is not attested elsewhere, and is thus clearly an error.

A2r-A2v: Prologus || [m]usica ars modulatiua || [...] (preface)

fol. A1r: Woodcut on the title page. Pythagoras and Lady Musica stand in front of a wheel that has bells at the end of its spokes and a bird perched on its top. Pythagoras holds a hammer in his right hand, and a banner with solmisation syllables in his left. Lady Musica has a pointer in her left hand, and holds the wheel with her right. To her right is a banner with the inscription: “Ach muß mir selbs frewd machen || wān schwartze varb wert' mir lache” (“Oh, I must make pleasure for myself when black colour [i.e. melancholia] laughs at me”) (c. 89 x 89 mm).
fol. A3v: Woodcut of a Hexachord system.

Latin

Autopsy copy:

D-Mbs 4° Mus.th. 738

D-Mbs, US-Wcm