Verzeichnis deutscher Musikdrucke des 16. Jahrhunderts
Catalogue of sixteenth-century German printed music
Nuremberg: Georg Stuchs, 1492, vdm: 1396
imperfect: lacks eight folios. Canon on vellum.
description after online catalogue.
blue lombards, coloured and guilded initials. Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 129).
Augustinian monastery Seckau
Imperfect: lacks eight folios and the Canon image. Canon on vellum.
decsription after online catalogue.
blue lombards and framed, gilded and coloured initials. Several annotations by Markward Mettnitzter on the front pastedown and on several other pages. Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 129).
on the back pastedown: "Scriptum per me fratrum Marquardus Möttniczer 1495 laurencij martiris."
Fragment: fols. 4-5.
Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 129).
imperfect. Opening page with the woodcut and the Canon are lacking.
Additional leaf with handwritten prayers bound before CCXLIIII (Sancta Otilia), CCLIIII (Sancta Helena), CCLXVII (De sancto servatio). 13 handwritten additional leaves at the end of the book: "Sequitur missas speciales que in rubrica Saltzebgeñ. non habeantur. Et primo officiū misse dulcissimi noīs ihu."
decorated initials in red, green, blue and gold. Throughout the text blue initials, in the music section also red initials. On some pages (e.g.XLIIv and added folios) tendrils in red, blue and green. Red coloured notes in the Prefaces. Some correcrtions and additions in red on the margins (e.g. CCLVIII).
Accent marks above the textlines in red on several pages (e.g. CLVII-CLXVIII, CLX, CLII, CL, etc.).
The M in the shelfmark and the diamond shaped stamp on the pastedown with the letters V. I. M. B. B. M indicate that this exemplar was formerly owned by the Collegial Monastery of the Augustinians in Salzburg. The monastery has been dissolved in the time of secularization, and the estates were administrated by the Benedictins at Michaelbeuern. During the Second Worldwar the library was transferred to their archives.
Imperfect, lacks Canon.
No red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 130).
Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 130).
In poor condition, wormy and with water stains. Some pages are improperly restored, others are torn or demaged. The Calendar is bound after the Register.
Imperfect: lacks the first two folios with the depiction of the bishop and the Preface. Also the Canon is missing.
Illuminations on the opening page and on the beginning of higher feasts (initial with floral borders). Smaller initials are either printed in red or added by hand in blue. Some Corrections in the register and on other pages on the margins.
Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 130).
A smaller sheet of a different paper with prayers, dated 1522, is pasted on fol. CCCXIXr. On the verso of the back flyleaf prayers for S Barbara are notated.
An additional Kyrie melody is added on the margin of CLXIXr; red coloured music notes in the Prefaces.
The last folio [1*] is used as a pastedown on the back binding.
Canon on vellum
Red coloured music notes in the Prefaces, large decorated initials and openings of sections, smaller initials in red and blue, coloured Canon woodcut and Te igitur initial. Kussbild added by hand.
Due to the white painted spine, the copy was in the library of the Salzburg archbishops.
Canon on vellum. Additional leaf from the same printer at the very end of the book with printed sequences on the verso (recto is blank).
former shelfmarks: La 256 /232
Woodcut of the bishop and the Canon woodcut are handcoloured. Illuminated and decorated opening pages, simple blue initials,throughout. Individual coloured red notes in the Prefaces and as a second version of a Kyrie intonation (Min. festivale, aa1r).
Good. Some of the pages are torn.
Canon and preceding two pages on vellum. Blank pages before and after gathering L𝔷10.
[*1v, 3v, 4r:] woodcuts coloured by hand. A number of decorated and gilded initials have been added at the beginning of important feasts. Smaller initials and signa congruentiae have also been added in red and blue where space has been left. On aa1r a Kyrie incipit ('medium festum') that was omitted has been added by hand in the margin. The volume shows signs of use including candle wax and marginalia in black and red giving page references and corrections.
No red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 130).
Imperfect: lacking fols. 151-158 and 169-176
imperfect.
Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 129).
Formerly in Bornheim-Walberberg, Dominikanerkloster St. Albert, Bibliothek (D-WBB)
Imperfect: lacks gathering χ8 (Canon).
INKA 44000915. The copy is inspected by Mary Kay Duggan.
Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 129).
Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)
INKA 54000154.
delicate, preserved in a box
The Canon on vellum stems from another missal.
No red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 129). Decoration: major initials in gold and colors, minor initials in blue (Duggan).
Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)
Several initials have been cut out.
No Canon and no single sheet with the sequence "Veni Sancte Spiritus" and a reading from Mark 13 at the very end. Also the last to folios (CCCLXXIII and CCCLXXIIII) are missing.
Red coloured notes in the Prefaces.
Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)
Instead of the Canon, ten white (modern) folios have been inserted. No single sheet with the sequence "Veni Sancte Spiritus" and a reading from Mark 13 at the end.
Red couloured notes in the Prefaces.
Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 130).
Imperfect.
Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 130).
Imperfect: lacks eight folios.
Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 129).
Fragments.
A microfilm of the fragments is held at Chicago, Center for Research Libraries (Ger. Roll 494 #10).
fragmentary.
Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 129).
Imperfect: lacks 10 folios.
Fragments: 2 folios on vellum.
Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 130).
With eight folios, including the canon on vellum.
Red coloured notes in the Prefaces (Gillion, Missale Salisburgense, 130).