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[Missale Pataviense].

Passau: Johann Petri, [1491–1492 c.], vdm: 1452

COPIES
A-Kadg (Klagenfurt, Archiv der Diözese Gurk)
Shelfmark: Sign. VI a 40

A-KN (Klosterneuburg, Augustiner-Chorherrenstift, Bibliothek)
Shelfmark: Cod. typ. 235
Condition:

The canon is printed on vellum, but this section only contains five leaves. However, no text is lost, and it may be that this gathering is only intended to have five leaves; examination of more copies is necessary!

Comments:

Partly vellum.

Classification of binding:
later / modern binding
Description of binding: Nineteenth-century binding: marbled papers over card, half bound in light-brown leather.
Manuscript additions or corrections:

A face of Christ has been painted in hand on fol. 4v of the vellum canon section.
Beautifully illuminated initials for major sections.

Provenance:

This volume has been in the library of Klosterneuburg since at least 1656 (annotation on fol. 2r).


A-Llb (Linz, Oberösterreichische Landesbibliothek)
Comments:

Partly vellum.


A-M (Melk, Benediktinerstift, Bibliothek)
Condition:

Imperfect.


A-SF (St. Florian, Augustiner-Chorherrenstift, Bibliothek und Musikarchiv)
Condition:

Imperfect.


A-SP (St. Pölten, Diözesanarchiv)

A-SPL (St. Paul im Lavanttal, Benediktinerstift St. Paul)
Condition:

Imperfect.


A-Wda (Wien, Diözesanarchiv)
Shelfmark: Nr. 5737
Provenance:

Formerly held in A-We.


A-Wn (Wien, Österreichische Nationalbibliothek)
Shelfmark: Ink 8.C.15
Condition:

Partly vellum.

Comments:

The copy is inspected by Mary Kay Duggan.

Provenance:

Claustroneoburgensis, 15 Iulij 1626.

Secondary literature:

Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)


D-B (Berlin, Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Musikabteilung)
Shelfmark: Inc. 1936,5 2°
Comments:

The copy is inspected by Mary Kay Duggan.

Classification of binding:
later / modern binding
Description of binding: Wood, leather spine.

D-LEdnb (Leipzig, Deutsches Schrift- und Buchmuseum)
Shelfmark: II: 26,2a
Condition:

Imperfect: Lacks f. π1 (bishop's arms), [b8], [c1]-[c7], and χ6-1 (Canon).

Comments:

The copy is seen by Mary Kay Duggan. INKA 44000914.

Classification of binding:
later / modern binding
Description of binding: Clasps, bosses.
Manuscript additions or corrections:

Decoration: colors.

Secondary literature:

Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)


D-LEu (Leipzig, Universitätsbibliothek, “Bibliotheca Albertina”)
Shelfmark: Prakt.Theol.46
Comments:

INKA 43002506.


D-Mbs (München, Bayerische Staatsbibliothek)
Shelfmark: 2 Inc.c.a. 2590
Condition:

Canon on vellum.

Comments:

Bsb-Ink: M-447,1.
INKA 24006209. The copy is inspected by Mary Kay Duggan.

Classification of binding:
later / modern binding
Description of binding: Blind-stamped leather (restored), 2 clasps missing.
Manuscript additions or corrections:

ff. πv and 2πv colored woodcuts (arms and canon; initials in colors, rubricated)

Provenance:

Ex libris Joachinus Richardus Mosspurgens | 1570 (Joachim Reichardt, canon of the collegial monastery of St. Kastulus in Moosburg) F. π2: Ad Conventum Ramsavienesem ad: Eremit. Aug. (Ramsau, Augustinian Hermits).

Secondary literature:

Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)

Link to online scan:

D-Mbs


D-Ps (Passau, Staatliche Bibliothek)
Provenance:

Formerly held in D-Pk.


H-EG (Eger, Főegyházmegyei Könyvtár (Bibliotheca Archidiocesana))
Shelfmark: Yy. I. 14
Condition:

Imperfect.


I-Bu (Bologna, Biblioteca Universitaria)
Condition:

Imperfect: lacks fol. 1.


US-SM (San Marino, CA, Henry E. Huntington Library & Art Gallery)
Shelfmark: 87224 PR 2839.6
Condition:

Imperfect: lacks two blank leaves (2π8). Canon on vellum.

Comments:

The copy is inspected by Mary Kay Duggan.

Classification of binding:
contemporary binding
Description of binding: Stamped calf over wooden boards, 2 clasps remaining (1 broken), traces of bosses, leather tabs.
Manuscript additions or corrections:

Chant entered in campo aperto between lines of text for Palm Sunday. F. π, woodcut (colored), used as paste-down.

Provenance:

Purchased by Huntington from Harper, Baer's Kurt Wolff sale, Nov. 29, 1926 (online catalogue).

Secondary literature:

Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)



  
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