vdm16 
  
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[Missale Salisburgense].

Nuremberg: Georg Stuchs, 1505, vdm: 237

DETAILS
Technique for printing music:

multiple impression

Text font:

Rotunda, Uncial

Colour printing:

red staff lines, red text

Remarks on printing:

This edition does not contain the extra red notes for more elaborate chants, as in vdm 257, although they are announced on fol. t 2v: "notis rubeis coassumptis. que tamē ad minus festum omittunt."
Types 7, 15, 16, 17 (Proctor).


Notation:

Hufnagel notation

Number of staff lines:
4
Number of voices:
1
Measurements:

full-length staff: 171 x 12.5 mm; heigh of virga one: 11 mm; height of virga two: 8.5 mm; height of virga three: 7 mm.


Genre:

chant

Repertoire:

IXr-Xv: response and Liber generationis; LXXIVv.LXXVIIIv: Benedictio cerei; CXLIr-CLIVv (gatherings t-v): Kyrie, Gloria, and Credo intonations, prefaces, pater nosters.



Secondary literature:

Weale, William Henry James. Bibliographia liturgica: Catalogus missalium ritus latini ab anno MCCCLXXV impressorum. Edited by Hanns Bohatta. London: Quaritch, 1928 (1380)
Daschner, Dominik. Die gedruckten Meßbücher Süddeutschlands bis zur Übernahme des Missale Romanum Pius V. (1570). Frankfurt am Main: Lang, 1995
Proctor, Robert. An Index to the Early Printed Books in the British Museum. Part II. MDI-MDXX. Section I. Germany. London: Kegan Paul, 1903 (95, 10965)
Amiet, Robert. Missels et bréviaires imprimés. Supplement aux catalogues de Weale et Bohatta. Paris: CNRS, 1990. (82)
Gillion, Marianne C.E. "Archiepiscopal Archetypes, Printed Books, and Parish Practices: Musical Notation in Editions of the ‘Missale Salisburgense’ (1492-1515)." Florilegium 34 (2017): 119–146 (published 2021).
Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)


D-Mbs 2° Lit 298, b3r

  
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