multiple impression

Rotunda

red staff lines, red text, red type on title page, red initials, [other]

Rubrics printed in red. There are extra red notes printed for solemn feasts (see Boorman). Staves are composed by blocks of shorter pieces.

Hufnagel notation

Measurements:

first full length staff: 117 x 7.5 mm; blocks of different lenghts; virga 5 mm

chant

Gospel for Christmas mass "in gallicantu" ( fols. 8r-9v) and Easter, "Exultet" (fols. 69r-71v); Kyriale, prefaces and Pater noster (fols. 129r-138v)

Copies:

A-KN, A-Sae, *A-Ska, *A-Su, *A-Wn, *A-Wn, A-Wst, A-Z, B-BRgs, D-Eu, *D-Mbs, D-Mbs, GB-Cu, *GB-Lbl, GB-Ob, PL-WRk

Secondary literature:

Weale, William Henry James. Bibliographia liturgica: Catalogus missalium ritus latini ab anno MCCCLXXV impressorum. Edited by Hanns Bohatta. London: Quaritch, 1928 (1383)
Boorman, Stanley. “The Salzburg liturgy and single-impression music printing,” In Music in the German Renaissance, edited by John Kmetz, 235-53. Cambridge: Cambridge University Press, 1994 (p. 243, fig. 13.1)
Daschner, Dominik. Die gedruckten Meßbücher Süddeutschlands bis zur Übernahme des Missale Romanum Pius V. (1570). Frankfurt am Main: Lang, 1995
Dolch, W., E. Langer, and I. Schwarz, Bibliographie der Österreichischen Drucke des XV. und XVI. Jahrhunderts. Wien: Gilhofer & Ranschburg, 1913 (nº 61)
Amiet, Robert. Missels et bréviaires imprimés. Supplement aux catalogues de Weale et Bohatta. Paris: CNRS, 1990. (82)
Lindmayr-Brandl, Andrea, Elisabeth Giselbrecht, and Grantley McDonald, “Introduction,” in Early Music Printing in German-Speaking Lands, ed. Andrea Lindmayr-Brandl, Elisabeth Giselbrecht and Grantley McDonald. London: Routledge, 2018: 1–17. (14)
Gillion, Marianne C.E. "Archiepiscopal Archetypes, Printed Books, and Parish Practices: Musical Notation in Editions of the ‘Missale Salisburgense’ (1492-1515)." Florilegium 34 (2017): 119–146 (published 2021).