Basel: Michael Furter, 1504, vdm: 360
Clarissima plane atqð�”· choralis || musice interpretatio Dñi Bal||thasser Praspergij Merspurgeñ. cÅ© || certissimis regulis atqð�”· Exẽploê�� Ano||tacionibê�° || & figuris multÅ© splẽdidis || In Alma Basileorum vniuersitate || exercitata.||
Finis musices ex Orphei lyra et || Saphus cythara manate atqð�”· per venerabi||lem dñm Balthasser praspergiÅ« Merspur⸗||geñ. In nobili ac preclaro Basileorum stu⸗||dio proceltico: diligentia exactissima exami||nate. Rogatu tandem auditorum per proui||dum virum Michaelem Furter CiuÄ“ Basi=||lieñ Impresse. Anno xp̃iane salutis suê�‘ Mil||lesimo [sic] quingentesimo quarto.||
Arms of Basel: two dragons supporting a shield with a bishop’s crozier (C3v)
Basel
Theory book
Printed specifically for Basel University (as noted on title page). The text has evidently been printed from a new setting of type, as is expected. The woodcuts generally seem to be printed from the same blocks, though slight differences (such as the lower woodcut on B2r, in which the uppermost line of the staff is straighter in vdm 360 than it was in vdm 358) suggest that some blocks may have been repaired or recut. There is a slight degradation in the block from vdm 358 to vdm 360.
Title woodcut: on the right, Lady Musica plays a harp; on the left, a teacher points to solmisation syllables in a banderole above their heads.
Latin