Cologne: Heinrich Quentell, 1501, vdm: 362
Opus Aureum.|| Musice castigatissimÅ©.|| de Gregoriana. et Figuratiua atqð�”· con/||trapÅ©cto simplici percõmode tra/||ctans om̃ibê�° cantu oblectan||tibus vtile et necessa/||rium e diuersis || exerptum || Fata regunt finem. spero dij cepta secundent || Qui ducis vultus et non legis ista libenter || Omnibus inuideas. luide nemo tibi.||
¶ Explicit opusculÅ« musices omnibus volentibê�° cantÅ« || vtrÅ«qð�”· scire necessariÅ« fausto fine Impressum Colonie ê�‘ || honestÅ« virÅ« HenricÅ« Quentel ciuem famatÅ« eiusdem || Anno missionis in carnÄ“ diuini verbi. millesimo quingÄ“||tesimo vno addito.|| (fol. 5r
Cologne
Theory book
The two different variants (vdm 736 and vdm 362) of the 1501 edition are very similar. Only a close comparison reveals small differences in the title page and colophon, such as the spelling of Quentel/ Quentell in the colophon. A further oddity is that GB-Lbl K.1.h.5 has Quentel (thus corresponding to vdm 362); however, it says „millesuno“ rather than „millesimo“ in the colophon.
Melchior Schanppecher is the author of the last two parts of the book, the Musica figurativa.
Latin
