Title page:

Liliũ Musice plane || Michaelis künspeck musici Alexã||drini. nouis quibusdam additamẽ||tis Per. J. A. A. eius discipulum pri||dem illustratum.|| Hexasticon [sic] In cōmendationem || Fragrantis Lilij.|| Discite nūc iuuenes Musas celebrare canoras || Atque animum corpusq𝔷 simul releuare periclis || Candidulum florem spirantem germine leto || Ingeniū curamq𝔷 dico coniūge loquenti || Hic etenim medicam possis haurire salutem || Corporis ac anime melioris munera vite.||

Colophon:

¶ Eplicit [sic] Lilium Musice plane Micha||elis Kunspeck musici Alexandrini bene || meriti. Per Mathiam Hupfuff ciuem || Argentineñ impressu𝔷. Anno salutis nr̃e || Millesimo.Quingentesimo sexto/||

Strasbourg

Theory book

The editor is identified by McDonald as J[ohannes] A[delphus] A[rgentinensis]. This is a new edition with different woodcuts (compared with the edition from 1500); earlier editions: 1) Basel: Michael Furter, 1496 [GW M16243]; 2) Ulm: J. Schäffler, 1497 [GW M16245]; 3) Augsburg: J. Froschauer, 1498 [GW M16240].
Fétis cites an edition printed at Straßburg by Knobloch in 1506, not attested elsewhere, and clearly an error. Klaus Wolfgang Niemöller, ‘Keinspeck, Michael,’ in MGG2 VII, col. 781, reports a second edition printed by Hupfuff in 1506, dated Idus Martias anno huius seculi sexto; however, this is the date of the letter of dedication, not of the printing of the edition. There is only one 1506 edition of the work.

a1v: letter to the reader by Johannes Hug, dated „Ex Argentina/ Idus Martias. Anni huius seculi sexto.“
a1v: text by Ficino

Latin

Autopsy copy:

D-Mbs Mus. Th. 740

D-Mbs, US-Wcm