Leipzig: Wolfgang Stöckel, 1519, vdm: 502
Not locatable (March 2018).
Scuffed. The copy of the Koßwick lacks its title page.
This copy lacks its title-page; the information in the entry has been provided from this copy until a complete copy is inspected.
1. Koßwick, Compendiaria musicae artis editio (Leipzig: Wolfgang Stöckel, 1519).
2. Nicolaus Wollick, Enchiridion musices (Paris; Jean Petit, 1512) (contains extensive early annotations).
C4r, sixteenth-century hand: GA ys sesqualtyd
C4r, another sixteenth-century hand: Tenor Isto medis aduersis figuris ac terminibus musicalibus cantetur leo In puncto perfeccionis molosus siue puncto perfeccionis maiorem prolacionis imperfectione visus fracta denique campana donec lichanos meson incipiatur pause mi: secundum guydonem et pyctogeram.
C4v, another sixteenth-century hand: Greek alphabet with names in Latin script.
C4v, another sixteenth-century hand: The condicion if thys Obbligation ys suche that yf the above bownden thomas Morleye
Inscription on fol. A3r of Koßwick: Thomas Horran (?).
Inscription of fol. l4v of Wollick: Jhesus mercye an– 1572 || Sum liber Roberti Myngaye || Robart Mingaye owe this booke.
Folio C6 is lacking.
A3r: “De Tonis” in ink in the margin. A3v: small addition in the margin, hard to read (“Mutatio…”). Later pencil foliation.
Inside front binding: “Ex libris Alfred Cortot”. Inside back binding: Former call number, Cortot 58. “Gift of Marie-Louise Rosenthal.” Stamps on bottom right recto of two leaves (A1, B4), light green ink, something like “C” over “A”? (something to do with Alfred Cortot collection?)