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De arte cantandi micrologus.

Cologne: Johannes Gymnich the Elder, 1533, vdm: 503

DETAILS
Technique for printing music:

woodcut

Text font:

Italic, Antiqua (Roman), Text printed from woodcut

Remarks on printing:

Woodcuts are quite neatly done; mensural notation with fine lines and relatively regular.
Most woodcuts are „normal“ black lines. Some, however, are printed inverse (white lines on black background), for example, note values on E6r.
Gymnich also uses individual note signs in the text (woodcut or type?).


Notation:

Hufnagel notation; Mensural notation

Number of staff lines:
3, 4, 5, 10
Number of voices:
1
Measurements:

full-length staff (B1v): 115 x 14.5 mm

Comments on notation:

Hufnagel on five lines; Hufnagel on three line to explain accents. White and black mensural notation only on five staff lines. There are also examples of black mensural notation. There is a sort of score for two voices on a ten-line staff (L2r).


Genre:

example in theory book, music for lute or other plucked instruments

Repertoire:

Numerous examples to explain intervals, musica ficta, psalm intonations, modes, ligatures, mensuration, note values, alteration, accentus.


Copies:

D-Dl, F-Pc, GB-Lbl, I-Bc

Copies in historical catalogues:

A copy of this edition was once held in the library of St Anne in Augsburg (see Schaal).


Secondary literature:

Richard Schaal. Das Inventar der Kantorei St. Anna in Augsburg. Ein Beitrag zur protestantischen Musikpflege im 16. und beginnenden 17. Jahrhundert. Bärenreiter: Kassel 1965. (p. 64)


  
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