Title page:

Musica.|| Decastichon. M. Jo. Wendelstein || in musicam exhortatorium.|| Quos dolor & luctus mentis mala gaudia tangunt || Huchuc assitis: Orphea consulite.|| Musica diuersis effingit vocibus unum || Concors nempe melos: delicias animi.|| Hic non illecebris locus est: non carmina spurca || Pangimus: ingrate non canimus domine.|| Nos celestis amor moueat: blando resonare || Concentu: & suaui voce replere chorum || Quare agite O iuuenes perparua hunc mole libellum || Sumite mente pia: quem pius edit amor.|| Remacli florenatis Hexastichon || Si tibi threijcium vis conciliare leporem || Et testudinee plectra canora lyre || Suscipe dyrceos helyconis gurgite fontes || Artificis referes muneta [sc. munera] grata chelis || Addidit ad musas coclei cura Iohannis || Que non liuor edax rumpere dente queat.||

Colophon:

Finis totius musice actiue. tris in ꝑtes diuise.|| oꝑa quidem atq𝔷 impẽsis. M. Jo. wendel||stein Impresse. per honestum virum || Johãnem Landen inclite Ciui||tatis Colonie ꝯciuẽ Anno || incarnatõis dñi 1507 || Sexto idus Julij ||

Cologne

Theory book

Some copies have an insertion of the pamphlets “In cantus Choralis exercitium” (vdm 1572) and "Compendium in praxim" (vdm 649), both also by Cochlaeus.

A1r: Dedicatory poems by Cochlaeus and Remaclus Florenas.
A1v-2r: Introduction by Cochlaeus (= Wendelstein).

B6v: woodcut of Virgin and Child with St Anna (“Anna Selbdritt”), in a rectangle framed by four separate borders with animals, leaves and flowers.

Latin

Autopsy copy:

D-Mbs Mus.th. 283

D-Mbs, A-Wn, US-Wc, B-Br