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Musica getutscht und ausgezogen (b).

[Basel]: [Michael Furter], [1511], vdm: 584

DETAILS
Technique for printing music:

woodcut

Text font:

Schwabacher, Textura, Text printed from woodcut

Remarks on printing:

Rotunda and Textura used only as display types. Some individual notes are set in the text, printed either from type or small woodcuts. In the woodcut the staff, notes and text are printed together.


Notation:

Mensural notation; Tablature (lute: German); Tablature (organ: German)

Number of staff lines:
5
Number of voices:
4
Measurements:

Full-length staff on H4v: 143 mm x 9.5 mm.

Comments on notation:

See Brown (1511/3) for full details.
G2v-H3r: Woodcut notes set into text: individual notes, ligatures, explanation of tablature notation.
H4v-I1r: Polyphonic song for four voices (O haylige / onbeflecte / zart iunckfrawschafft marie) in white mensural notation (woodcut with woodcut initials). Tenor and text on H4v, [Discantus], Altus and Bassus on I1r. Text incipit given in [Discantus] only.
I1v-I2r: Organ intabulation of previous piece (O hailige) with lower three voices in tablature and [Discantus] in mensural notation (note values halved).
M2v-M3r: Lute intabulation.


Genre:

devotional song, motet, polyphonic song, music for instrumental ensemble, music for solo instrument (exc. keyb., lute, plucked instruments), music for lute or other plucked instruments

Repertoire:

H4v-I1r: German Lied setting for four voices (O haylige / onbeflecte / zart iunckfrawschafft marie) in white mensural notation (woodcut), then intabulated for organ and lute.


Copies:

*D-W, *GB-Lbl

Copies in historical catalogues:

The book is listed in the 1548 Bibliography by Gesner (see Bernstein). A copy of this edition was once held in the library of St Anne in Augsburg (see Schaal). Another copy of one of the variant editions was in the library of Ferdinand Columbus (ca. 1510-1539, no. 922) (see Plamenac).


Modern edition:

Virdung, Sebastian. Musica getutscht. A Treatise on musical instruments (1511). Edited by Beth Bullard. Cambridge: CUP, 1993

Secondary literature:

Ripin, Edwin M. “A Reevaluation of Virdung’s ‘Musica getutscht’.� JAMS 29 (1976): 189-223
Rode-Breymann, Susanne, and Sven Limbeck, eds. Verklingend und ewig. Tausend Jahre Musikgedächtnis 800–1800. Wiesbaden: Harrassowitz, 2011 (230, 227 )
Bernstein, Lawrence F. “The Bibliography of Music in Conrad Gesner's Pandectae (1548).� Acta Musicologica 45 (1973): 119-163 (no. 165)
Richard Schaal. Das Inventar der Kantorei St. Anna in Augsburg. Ein Beitrag zur protestantischen Musikpflege im 16. und beginnenden 17. Jahrhundert. Bärenreiter: Kassel 1965. (p. 64)
Plamenac, Dragan. “Excerpta Colombiniana: Items of musical interest in Fernando Colóns 'Regestrum.� In: Micelánea en Homenaje a Monsenor Hinigo Angles, Barcelona 1958-1961, vol. 2, pp. 663-687. (p. 670-671)


D-W 43 Musica Helmst., G4v

D-W 43 Musica Helmst., H4v

  
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