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Clarissima planae atque choralis musicae interpretatio (a).

Basel: Michael Furter, 1501, vdm: 638

COPIES
A-Wn (Wien, Österreichische Nationalbibliothek)
Shelfmark: 396.004-B
Classification of binding:
later / modern binding
Description of binding: Modern, blue cardboard binding.
Manuscript additions or corrections:

„2“ written in brown ink on first folio.


B-Br (Brussels, Bibliothèque Royale de Belgique / Koninklijke Bibliotheek van België)
Shelfmark: INC A 2.076 (RP) (Réserve précieuse)
Condition:

No ms additions. Has folding table.

Description of binding: Nineteenth century brown morocco binding stamped with gold fleurets, with title stamped on spine. The number “33” in an old hand on the frontispiece suggests that it was once part of a Sammelband.
Provenance:

Fétis François-Joseph 1784-1871


CH-Bu (Basel, Öffentliche Bibliothek der Universität Basel)
Shelfmark: Magazin. Sign.: DE VII 1:5
Condition:

Good; facsimile of the fold-out from the 1507 edition added at the end of the volume.

Classification of binding:
contemporary binding
Description of binding: Sixteenth-century quarter-bound pigskin over oak boards. The blindstamping has the motifs of St Barbara and the pious pelican.
Content of composite volume:

1. Grãmatica Nicolai perotti cÅ© || additionibus regularÅ©: & metrice || artis Guarini veronẽsis perfacÅ©||di viri lucidissime perspecta ([Basel: Jakob Wolff von Pforzheim, c. 1501]; VD16 ZV 12301)
2. DIalogus fra=||tris Rutgeri Sycambri canonici regu=||laris De quantitate syllabarũ.|| cum paucis carminibus || adiunctis in=||choat (Cologne : Quentel, Heinrich (heirs), 1502; VD16 R 3869)
3. Johannes de Garlandia, Nomina et ver=||ba defectiua ([Cologne: Martin von Werden, c. 1505])
4. De mensuris Sylla||barum epithoma sicu||ti succinctissimũ ita || & fructuosissimum (Strasbourg: Johannes Schott, 1500)
5. Clarissima planae atque choralis musicae interpretatio (Basel: Furter, 1501)

Provenance:

Front flyleaf: Liber fratrum Carthusiensium domus vallis beate Margarethe in Basilea minori proueniens a confratre nostro d. Henrico Ecklin eiusdem domus monacho professo, qui continet libros preciales subnotatos [names titles in the volume]. Shelfmark from the Carthusian library: A 61.


CH-Fcu (Fribourg, Bibliothèque cantonale et universitaire)
Shelfmark: EF 20

D-B (Berlin, Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Musikabteilung)
Shelfmark: Mus. ant. theor. P 70
Classification of binding:
later / modern binding
Description of binding: Brown cardboard half bound in brown leather.
Manuscript additions or corrections:

Some annotations in light brown ink on title page (Praspergius theoricus [?] Prasperger Der Jung). Nineteenth-century fold-out at the end with comparison of Greek and Boethian scales, replacing table missing in this copy.


D-Mbs (München, Bayerische Staatsbibliothek)
Shelfmark: 4 Mus.th. 1256
Link to online scan:

D-Mbs


D-Rp (Regensburg, Bischöfliche Zentralbibliothek)

D-W (Wolfenbüttel, Herzog August Bibliothek)
Shelfmark: A: 78 Quod. (2)
Description of binding: In light brown wood and white leather leather with various round and square stamps. One metal clasp. Contents are noted on the wooden part of the binding.
Content of composite volume:

Handwritten part, thereafter:
1: Opus aureum (Cologne, Quentell, 1501)
3: Lilium musice plane (Hupfuff, 1506) plus a manuscript part.
4: Extus sequentiarum cum luculentis (Cologne, Quentell, 1504).
5: Expositio hymnorum (Heinrich Quentell Erben 1504) plus a manuscript part.

Manuscript additions or corrections:

At the beginning of the volume are a few pages of handwritten music and notes: one piece for four voices, then what looks like a transcription of a theory book with musical example; at the very end of the entire volume (with multiple books bound into it) more handwritten notes; in this book there are no handwritten annotations.


GB-Lbl (London, British Library)
Shelfmark: K.1.h.2 (2)
Classification of binding:
later / modern binding
Description of binding: Modern, light brown leather.
Content of composite volume:

Lilium Musice plane Michaelis Keinspeck, Basel: Furter, 1496
Flores Musice.



  
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