multiple impression; single impression

Rotunda, Uncial

red staff lines, red initials, red text, [other]

There are two different music fonts: a larger and a smaller one that comes in two columns. The staff lines for the smaller font are formed of sections 7.5 mm long; the custos and clef are set on a very short piece of staff 2 mm long, set in each case between two vertical lines. The staff lines of the larger font are made from sections of varying lengths. The Kyriale and the praefationes are printed in two gatherings by themselves (t-v). In the Praefationes (fol. cxliiijv onwards) single notes with their own systems are printed in red (At the head of this section: “In summo fest. // Ad summum festum generalis prefatio. notis rubeis coassumptis. que tamen ad minus festum omittuntur.“)

Hufnagel notation

Measurements:

small fonts: staff lines 74.0 x 10.o mm, virga 6.0 mm and 9.0 mm
big fonts: staff lines 158 x 16.5 mm; virga 8.5 mm
blocks of different lengths

chant

ixr, in gallicantu: „Dominus vobiscum“ „Liber generationis“/ lxxvir-lxxviiiv, Sabbato sancto Pasche: „Exultet“/ cxliijr-cxliiijr: Kyrie cum Gloria (Kyriale)/ cxliiijv-clvjv: Praefationes for several occasions. There is no music in the canon.

Copies:

A-Gla, A-Gu, A-KN, A-Sca, *A-Su, *A-VOR, *A-Wn, *D-Mbs, GB-Okc, I-Mb

Secondary literature:

Weale, William Henry James. Bibliographia liturgica: Catalogus missalium ritus latini ab anno MCCCLXXV impressorum. Edited by Hanns Bohatta. London: Quaritch, 1928 (1381)
Boorman, Stanley. “The Salzburg liturgy and single-impression music printing,” In Music in the German Renaissance, edited by John Kmetz, 235-53. Cambridge: Cambridge University Press, 1994
Daschner, Dominik. Die gedruckten Meßbücher Süddeutschlands bis zur Übernahme des Missale Romanum Pius V. (1570). Frankfurt am Main: Lang, 1995
Dolch, W., E. Langer, and I. Schwarz, Bibliographie der Österreichischen Drucke des XV. und XVI. Jahrhunderts. Wien: Gilhofer & Ranschburg, 1913 (56, 42)
Gillion, Marianne C.E. "Archiepiscopal Archetypes, Printed Books, and Parish Practices: Musical Notation in Editions of the ‘Missale Salisburgense’ (1492-1515)." Florilegium 34 (2017): 119–146 (published 2021).