Basel: Jakob Wolff, 1511, vdm: 686
multiple impression
Rotunda, Antiqua (Roman), Uncial
red type on title page, red staff lines, red initials, red text
Antiqua is used only in the preface by the bishop. The music is found in quires r and s. In some instances it looks as if the red had been printed after the black. In the canon single notes are printed in red (t5v). When they touch the line, the staff lines are interrupted. Two columns, 38, 20 lines. Space is always left for the large red uncial initials, which start new pieces or important sections of chant. Red double margins bound the staves to the left and the right, and the clefs and custodes are printed within these.
Hufnagel notation
The music type is elegantly cut and a full range of notational forms are used. The pater noster in the canon contains notes printed in red that are to be sung on high feasts and omitted on ferial celebrations (rubric at the bottom of t5r).
chant
r1r-r2r: Kyrie and Gloria intonations; r2v: Credo intonations; r3r-s5r: solemn prefaces (Christmas, Epiphany, Easter, Ascension, Pentecost, Trinity, Blessed Virgin Mary, Apostles), mediocritur prefaces (Christmas, Epiphany, Lent, Holy Cross and Holy Thursday, Easter, Ascension, Pentecost, Trinity, Blessed Virgin Mary, Apostles), ferial prefaces (Lent, Holy Cross, Blessed Virgin Mary, Apostles), solemn, mediocritur and ferial quotidiana; t5v: Pater noster; t6r: peace.
Molitor, P. Raphael. Deutsche Choral-Wiegendrucke. Ein Beitrag zur Geschichte des Chorals und des Notendrucks in Deutschland. Regensburg etc. 1904. Repr. Hildesheim: Olms, 1982 (62)
Weale, William Henry James. Bibliographia liturgica: Catalogus missalium ritus latini ab anno MCCCLXXV impressorum. Edited by Hanns Bohatta. London: Quaritch, 1928 (208)
Daschner, Dominik. Die gedruckten Meßbücher Süddeutschlands bis zur Übernahme des Missale Romanum Pius V. (1570). Frankfurt am Main: Lang, 1995
Amiet, Robert. Missels et bréviaires imprimés. Supplement aux catalogues de Weale et Bohatta. Paris: CNRS, 1990. (18)