D-PFOsta (Pforzheim, Stadtarchiv)
 
 
 A-BRz (Bregenz, Bibliothek der Zisterzienserabtei Wettingen-Mehrerau)
 
 
 CH-Bu (Basel, Öffentliche Bibliothek der Universität Basel)
 Shelfmark: FN VI 4g
 
 
 
 CH-Bu (Basel, Öffentliche Bibliothek der Universität Basel)
 Shelfmark: UBH DB V 16:2
 
 
 D-As (Augsburg, Staats- und Stadtbibliothek)
 
 
 D-B (Berlin, Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Musikabteilung)
 
 
 D-BNu (Bonn, Universitäts- und Landesbibliothek)
 Shelfmark: 10.3931/e-rara-12582
 
 
 D-BREm (Bretten, Melanchthonhaus, Bibliothek)
 
 
 D-DEl (Dessau, Anhaltische Landesbücherei, Abteilung Sondersammlungen )
 
 
 D-DS (Darmstadt, Universitäts- und Landesbibliothek)
 Shelfmark: Inc.II-203
 
 
 D-FFs (Frankfurt (Oder), Stadtarchiv)
 
 
 D-HEu (Heidelberg, Universitätsbibliothek)
 Shelfmark: D 8431 Octav INC
 
 
 D-KA (Karlsruhe, Badische Landesbibliothek)
 Shelfmark: 2 in PC 1399
 
 
 D-LEu (Leipzig, Universitätsbibliothek, “Bibliotheca Albertina”)
 
 
 D-Mbs (München, Bayerische Staatsbibliothek)
 Shelfmark: 4 Inc.c.a. 1542 n
 
 Classification of binding: 
 later / modern binding
 Description of binding: Cardboard
 
 Manuscript additions or corrections: 
 Foliation (149-160) in red ink.
  Provenance: 
 Distinctive foliation suggests that this copy was from a collected volume owned by Hartmann Schedel.
  Secondary literature: 
 Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)
  Link to online scan: 
 D-Mbs
 
 
 D-Mu (München, Universitätsbibliothek der Ludwig-Maximilians-Universität)
 Shelfmark: Inc. lat 837
 
 Condition: 
 Good. Some worming. Remains of a leather tab.
  Classification of binding: 
 later / modern binding
 Description of binding: Brown card binding with black spine. The composite volume with works of Johannes Reuchlin (different formats) seems to be a modern creation.
 
 Content of composite volume: 
 All prints compiled in this composite volume are by Johannes Reuchlin.
[1] De arte predicandi. Pforzheim: Thomas Anshelm 1508, VD16 R 1251
[2] Constantinus magnus. Tübingen: Thomas Anshelm, 1513, VD16 C 4938
[3] Defensio Joannis Reuchlin. Tübingen: Thomas Anshelm, 1514, VD16 R 1245
[4] Doctor Johannsen Reuchlins [...] warhafftige entschuldigung. Tübingen: Thomas Anshelm, 1511, VD16 R 1306
[5] Joannis Reuchlin viri clarissimi. Hagenau, Thomas Anshelm, 1518, VD16 H 6415
[6] Scaenica progymnasmata. [Basel]: Johann Bergmann von Olpe, 1498, vdm: 73
[7] Scaenica progymnasmata.Tübingen: Thomas Anshelm, 1516, vdm: 80
[8] Scaenica progymnasmata.Tübingen: Thomas Anshelm, 1511, vdm: 77
  Manuscript additions or corrections: 
 One line is crossed out by hand (a2v). Some further lines drawn between the names in the marginal an the text to indicate the incipits (a2v, a3r).
  Provenance: 
 A handwritten owner's mark in the top left corner of the title page is illegible because of a sticker glued over it. Stamp of the Landshut University Library (predecessor of the Munich University Library that moved to Munich in 1826) on title page.
 
 
 D-Tu (Tübingen, Eberhard-Karls-Universität, Universitätsbibliothek)
 Shelfmark: Dk II 110.4
 
 Comments: 
 The copy is inspected by Mary Kay Duggan.
  Provenance: 
 Benedictines of Zwiefalten.
  Secondary literature: 
 Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)
 
 
 D-W (Wolfenbüttel, Herzog August Bibliothek)
 Shelfmark: A: 53 Quod. (2)
 
 Comments: 
 The copy is inspected by Mary Kay Duggan.
 Description of binding: Wooden boards with leather spine, 1 clasp.  
 
 Secondary literature: 
 Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)
 
 
 D-WÜu (Würzburg, Universitätsbibliothek)
 
 
 F-LANshal (Langres, Sociéte historique et archéologique de Langres (SHAL))
 
 
 F-Pn (Paris, Bibliothèque nationale de France)
 
 
 F-Sn (Strasbourg, Bibliothèque nationale et universitaire)
 
 
 F-Ssp (Strasbourg, Bibliothèque du Séminaire Protestant)
 
 
 GB-Cfm (Cambridge, Fitzwilliam Museum)
 
 
 GB-Lbl (London, British Library)
 Shelfmark: 166.e.2/2 = IA.37955
 
 
 GB-Lbl (London, British Library)
 Shelfmark: Hirsch III.922 = IA.37955a
 
 
 H-Ba (Budapest, Magyar Tudományos Akadémia Könyvtára)
 Shelfmark: Inc. 463 (4)
 
 Comments: 
 The copy is inspected by Mary Kay Duggan.
 Description of binding: Blind-stamped leather over wood, 2 clasps.
 
 Content of composite volume: 
 This edition is bound fourth of five works: Sebastian Brant, Varia carmina (Basel: Joh.Bergmann, 1498 1 V) (GW 5068); Sebastian Brant, Stultiferis navis (Strasbourg: Joh. Grüninger, 1497) (H 3749); Sebastian Brant, De corruptu ordine vivendi (GW 5057); Jacobus Locher, Philomusus (Strasbourg: Joh. Grüninger, 1497) (H10153). 
  Provenance: 
 f. a1: Sum ex libris Petri Holhenij MD. 
  Secondary literature: 
 Duggan, Mary Kay. Printing and Reform. The Beginning of Music Printing in German-speaking Lands in the Fifteenth Century. (under review)
 
 
 I-TSci (Trieste, Biblioteca civica Attilio Hortis)
 
 
 PL-WRu (Wrocław, Biblioteka Uniwersytecka)
 
 
 RUS-Mrg (Moskva, Rossijskaja Gosudarstvennaja biblioteka)
 
 
 S-Sk (Stockholm, Kungliga biblioteket (Royal Library))
 
 
 US-NYpm (New York, NY, The Morgan Library & Museum)
 Shelfmark: ChL1402D