[Augsburg]: [Johannes Schönsperger the Younger], [1512–1521 c.], vdm: 153
MVsica getutscht vnd || außgezogÄ“ durch SebastianÅ« vir=||dÅ«g Priesters vÅ� Amberg vñ al||les gesang auß den notÄ“ in die || tabulaturÄ“ diser benantÄ“ dreyer instrumentñ d’ || Orgeln / vñ der Lauten d’ FlötÄ“ transferieren || zů lernen kürtzlich gemacht.||
[Augsburg]
Theory book
This is a newly set and recut edition of the earlier ones by Furter, with a shortened title and some red printed lines on the title page; for more details and the attributions to Schönsperger see Ripin. The entries in RISM are irregular and incomplete. There seem to be several issues: the Vienna copy misprints the signature F2: J2, the Karlsruhe copy also F2:J2, furthermore N4:N2, F2:J2. Otherwise the pages look the same.
A3r-v: Dedication to Wilhelm von Honstein, dated „Geben zu Basel auff afftermontag Margarethe [20 July]. Tausentfünffhundert und .xj. Jar.“
Framing title woodcut with several instruments.
A2v: Woodcut of interlocutors in dialogue, Andreas Silvanus and Sebastianus [Virdung]. Woodcut contains images of rebec and harp.
I2v: Woodcut of lutenist with artist’s monogram VG (Urs Graf) and additional monogram in the left corner. There are no borders, only a two-line frame (see Ripin p. 203).
Several woodcuts of instruments throughout the book.
High German

